诗人曰：撕碎的部分调度起神经的记忆

海外文苑

本期作品发刊纽约【综合新闻报】第889期发

The above was published in New York newspaper "Compact Newspaper" edition #889

汉译：佩英(Translated by Christine Chen)

兹拉坦·德米罗维奇（Zlatan Demirović） ，波斯尼亚裔美国作家、连续创业者及催眠治疗师，专注于快速学习与自我疗愈技术，帮助来访者在短时间内实现积极而深刻的改变。他是生命潜能学院 （ Prodigy Life Academy） 联合创始人，也是 生命潜能项目（Prodigy Life Program） 的创立者，该平台致力于整合灵性成长与个人发展课程。

忧伤玻璃中你的眼睛

你的眼睛，在忧伤玻璃中，
迷迭香的芬芳，
还有膝上那张照片。
记忆缀满玫瑰，
梦境浸透愧疚与疼痛。
童年苦乐交织的旋律，
驻守左脑的小小士兵，
唱着忧伤之歌，
奋力支撑自己。
你的眼睛，在忧伤的玻璃中，
迷迭香的芬芳，
还有膝上的那张照片。
沉重的雨，裹挟尘埃的云，
渐渐抹去画面中的故事，
融化了屏幕上那一抹
永恒的蔚蓝倒影。
曾有一个少年，
燃烧于激情的火焰，
烈焰灼透他的肌肤与骨骼。
直到一声爱的呼喊将他惊醒，
提醒他——
此生挚爱已离开。
请不要轻易伤害一个脆弱的孩子，
他的伤早深不可测，
依然怀揣
最勇敢战士的心。
你的眼睛，在忧伤的玻璃中，
迷迭香的芬芳，
还有膝上的那张照片。
请不要轻易对任何人说：
“你这个老头。”
不要轻视岁月刻下的智慧皱纹。
生命的旋转木马，
在更辽阔的图景中闪耀；
盲目的轮盘，
不停上下旋转……
如今，
静静坐着，仰望天空，
呼吸星尘……
你的眼睛，在忧伤的玻璃中，
迷迭香的芬芳，
还有膝上的那张照片……
你的眼睛，在忧伤的玻璃中，
迷迭香的芬芳，
还有膝上的那张照片。

YOUR EYES IN GLASS OF SORROW

Your eyes in glass of sorrow,
rosemary scent and picture on the lap.

Memories full of roses
and dreams of guilt with pain.
Childish bittersweet refrain,
this little soldier in the left brain,
singing song of sadness,
fighting to sustain.

Your eyes in glass of sorrow,
rosemary scent and picture on the lap.

Heavy rains with clouds of dust
vanishing the stories on pictorial scene,
melting everlasting blue reflection on the screen.

There was a boy in flame of passion,
it burned him to the skin and bone.
Once he was awakened by the scream of love,
reminded that his true love’s gone.

Don’t ever challenge a vulnerable child,
his wounds are deep enough,
he bears the heart of the bravest soldier.

Your eyes in glass of sorrow,
rosemary scent and picture on the lap.

Never ever say to someone “you old man”!
Don’t ever disregard the wrinkles of wisdom!
Carousel of life is shining in a bigger picture,
the wheel of blindness, turning up and down...

He’s sitting calm now, observing the sky,
breathing the stardust...

Your eyes in glass of sorrow,
rosemary scent and picture on the lap ...

Your eyes in glass of sorrow,
rosemary scent and picture on the lap.



对上帝的回答

上帝问：
“倘若天地间，只余你我，如何抉择？”
如何回答？
不要让曾明白真义者的命运，成为你的归宿。
不要以为，时间总会宽容地等待你的醒悟。
趁一切尚未太迟，立即寻找答案。
倘若你寻而不得，可开启另一扇门——
一扇通向更长久生命，永恒之大门。
然而，永远不要说，
镜中人，就是真的你。

ANSWER TO GOD

What will you answer when God asks you:

"What would you do if you and I were alone?"

Don't let what happened to those who didn't know become your own fate.

Don't think there is always enough time to figure it out.

Do it as soon as possible, before it is too late.

If you manage to find the answer, it may help you open another door and live much longer—perhaps even forever.

But don't ever say that you see yourself in the mirror.

诗歌赏析：

兹拉坦·德米罗维奇这组诗以“忧伤的玻璃”“眼睛”“照片”“星尘”等意象，构筑记忆、创伤、爱情与衰老交叠的精神空间。《忧伤玻璃中你的眼睛》情感浓烈，将童年伤痕、爱的失落、生命尊严与自我救赎融为一体，结尾“呼吸星尘”使个人伤痛获得超越性的精神意味。《对上帝的回答》则由个人经验上升至存在追问，以“镜中人”反思真实自我、时间意识与灵魂归宿。两诗一重抒情，一重哲思，彼此映照，整体真挚深沉，意象鲜明，具有独特的宗教意识与生命哲学。

Editorials:

Zlatan Demirović's two poems constructs a spiritual landscape where memory, trauma, love, and ageing intersect through such recurring images as “glass of sorrow,” “eyes,” “photograph,” and “stardust.” *Your Eyes in Glass of Sorrow* is emotionally intense, weaving childhood wounds, lost love, human dignity, and self-redemption into a unified meditation. Its closing image, “breathing the stardust,” gives personal suffering a transcendent spiritual dimension. *Answer to God* moves from individual experience toward existential questioning, using the “figure in the mirror” to reflect on authentic selfhood, the passage of time, and the destiny of the soul. One poem is lyrical, the other philosophical; together they illuminate each other. Sincere and profound, the poems possess vivid imagery, a distinctive spiritual consciousness, and a compelling philosophy of life.(By Christine Chen)

桑托什·库马尔 （Santosh Kumar），尼泊尔诗人、散文家、翻译家及和平活动家，以六种语言创作，出版十一部著作，作品译成近四十种语言。他创立“波卡雷尔诗节”，以人文主义反战诗歌闻名，荣获高尔基勋章、圣雄甘地国际奖等多项国际荣誉。

诗人的心与无望的恋人

这颗心，
跳动无章法；
时而平静，
时而连我自己，
也不知它将去向何方。
有时，
因一个轻轻颔首，
我翩然起舞；
带我远行千里，
奔赴一处虚幻的欢愉。
我知道，
其一无所知——
该向谁许下誓言？
世间多少真情难辨，
该向谁低首？
然而，
诗人总是远远凝望；
隔着距离，一切皆美。
只是——
远方终不可及，
你只能在远方欢喜。

Poet’s heart and Futile inamorata

This beats haphazardly
At times calms down
At times I know hardly
What way has it grown.

At times makes me dance to
Those nods that beckon
From miles and me take to
Abodes for a fun.

I know that I don’t know
To whom shall I vow?
Are lots not sincere
To whom shall I bow?

But sees from afar poet
From far it is nice
From far cannot catch though
From far you rejoice!



晨歌
——献给跨文化的孩子们

清晨醒来，
迎接新一天。
喝一杯牛奶，
奔向快乐游戏。

爷爷慈祥可亲，
奶奶温柔甜蜜。
最爱的，
是小鸟啁啾的歌声。

花园美丽。
芒果树高高挺立，
番石榴树静静相伴，
鸟儿枝头欢唱。

小鸟啊，小鸟，
唱起春天的歌；
跳跃在花园里，
轻轻拍动翅膀。

爷爷，爷爷，
今晨带我去商店吧！
阿姨一定会送我
好多糖果和棒棒糖。
小狗也喜欢糖果，
我们一起嬉戏欢笑。
它总是陪伴着我，
我也会分给它一颗。

THE MORNING SONG
--TO THE CHILDREN ACROSS CULTURES

Early in the morning as I woke up today
I will have a cup of milk Then will go to play.
Grandpa is my very nice Grandma is too sweet
Birdie is my better choice When it makes some tweet.
Garden is my very nice
Mango trees stand Guava tree is by the side
Where birdies chant.
Birdies birdies you will sing
Songs of the springs
Jumping on my garden yards
Fluttering your wings.
Grandpa grandpa this morning
Take me to the shops
Aunties will then give me lot Toffees lollypops.
Doggie also likes tofee
We will make a fun
She does play with me always
I will give her one.

燃烧的激情
——桑托什·库马尔·波卡雷尔

已离去——
不，不是我；
离去的是我的心，
它已化作
一块石头。
不知道，
是否还有一天
能恢复原状。
就让它永远
做一块石头吧。
不再回应，
丝毫没有。
这些日子，
世界早已天翻地覆。
一切倾覆，
激情熄灭，
悲伤亦被击碎。
啊，心啊！
荒芜已久。
却仍渴望
重新开始。
激情，
依然在

燃烧。

Fuming Passions

I'm gone
No no, it's not me
But heart
That's gone
And turned to
A stone.
I don't either know
Will never ever vow
To get this undone.
May it live long as
A stone!

Reacts not
Not a bit
Nor not a lot
And upside down
These very days
Has been my pot.
So all's spilled
And passion's killed
Pathos been shot.

Oh hearts!
Deserted have been long
Those again wish start
Resuming.
And my passions now
Are fuming.

诗歌赏析：

波卡雷尔的诗歌兼具人文关怀、儿童视角与生命抒情，语言质朴直白，却有鲜明的情感温度。《诗人的心与无望的恋人》以远望与距离书写爱情的不可企及，含蓄而富有哲思；《晨歌》明快纯真，以家庭、花园、鸟鸣展现跨文化童年的温暖；《燃烧的激情》则以“石头”与“激情”构成反差，呈现创伤后的荒芜与重新燃烧的生命意志。整体真诚自然，具有朴素而持久的人文力量。（佩英）

Editorials:
Pokharel’s poetry combines humanistic concern, a childlike perspective, and lyrical reflections on life. Its language is plain and direct, yet carries a distinctive emotional warmth. Poet’s Heart and the Futile Inamorata explores the attainability of love through distance and distant gazing, conveying both subtlety and philosophical depth. The Morning Song is bright and innocent, portraying the warmth of a multicultural childhood through family, gardens, birdsong, and play. Fuming Passions uses the contrasting images of the “stone” and “passion” to evoke emotional desolation after trauma and the will to begin again. Taken together, these poems are sincere and natural, possessing a simple yet enduring humanistic force.(By Christine Chen)

乔安（JOAN CAMILO BOLAÑOS）哥伦比亚诗人、翻译，卡利体育的解说及其球迷。翻译并出版了西班牙语版本保罗·劳伦斯·邓巴的诗集。伊瑟丝大学经济学学士，哥伦比亚国立大学创意写作硕士。目前以中华人民共和国政府奖学金计划研究员的身份在东南大学修读艺术理论博士学位。他的第一部尚未出版的诗集《西西弗斯的疾病》，是对肉体、精神与痛苦的探索。

（汉译：冯奕成）

裁缝的诗学

POÉTICA DE SASTRE

I
由于布料不足，
他们不得不拿悔恨
去填补。
II
这位裁缝——经验不足的——认为
沾上衣物的三滴血痕
并不妨碍穿着。
III
撕碎的部分……
多年后
调度起神经的记忆。
IV
对于那台缝纫机
他避之不及，
却又一生寸步难离。
V
在这件
打满补丁的旧衣裳里，
有人忘了取出
埋在深处的针。



西西弗斯SÍSIFO

人们厌倦了
拖着
折断的双翼，
挣扎着爬行
却无处可去，
厌倦了
成为一本
永远未完待续的
日记。
人们厌倦了
知晓他的宿命
去背负
那刻入骨髓的石头，
厌倦了寻找鬼怪
却在镜中
看见了自己。
人们厌倦了
成为
被遗忘的主体。



确诊DIAGNÓSTICO

“一种酸痛的灼烧感在躯体蔓延，
肌肉扭曲，仿佛被隐形的火烧至炽红，
如玻璃加身，脆弱将裂”
-安托南·阿尔托

一种始终不得圆满的错觉，破损残缺的假象；
恍若成了莫过于一个被试体的滑稽存在。
那双少年的手，在衰朽中临摹出了死亡。
极度僵硬的指骨，让彼得·潘无异于铁钩船长。
那条看似正常的腿，却蛰伏着永恒无止息的，来自内里的电刑，
将最微弱的刺痒，触发成为无麻醉手术室里的嚎叫。
绷带并非他的伪装，而是宣告他冥顽不化的装束。
止痛药从未真正缓解痛楚...只是推迟了它的爆发！

诗歌赏析：

乔安这组诗以“裁缝”“西西弗斯”“确诊”为核心意象，将创伤、宿命、身体疼痛与精神困境编织成冷峻而深刻的生命寓言。《裁缝的诗学》以衣物、血痕、缝纫机和暗针象征无法修补的记忆；《西西弗斯》借神话书写现代人的疲惫与自我异化；《确诊》则以强烈的身体感和疾病隐喻逼近存在之痛。整体语言锋利，意象密集，具有明显的荒诞主义与存在主义气质，思想张力突出。（佩英）

Editorials:

JOAN CAMILO BOLAÑOS's collection of poems weaves trauma, fate, bodily pain, and existential anguish into stark and profound allegories through the central images of the tailor, Sisyphus, and diagnosis. The Poetics of a Tailor uses cloth, bloodstains, the sewing machine, and the hidden needle to symbolize memories that can never be fully mended. Sisyphus draws on the ancient myth to portray modern exhaustion, alienation, and the burden of self-awareness. Diagnosis confronts existential suffering through visceral bodily imagery and the metaphor of illness. Overall, the poems are sharp, densely imagistic, and marked by a distinct absurdist and existentialist sensibility, generating considerable intellectual and emotional tension.(By Christine Chen)

（本期所有文字均获作者授权）