<p class="ql-block"> 《九兄弟：马尼涅湖传说》大型兰代剧第四部成功上演，再现马尼涅湖传奇</p><p class="ql-block"> 雅加达米南加保青年联袂打造史诗级演出，西苏门答腊省政府、雅加达特区政府及印尼内政部官员到场支持</p><p class="ql-block">雅加达，2026年6月20日 —— 当晚，雅加达伊斯梅尔·马祖基文化中心（Taman Ismail Marzuki）大剧院掌声雷动，笑声与泪水交织。整场演出情节跌宕起伏，深深牵动着观众的情绪。</p><p class="ql-block"> 历时两个半小时的大型兰代剧（Randai）第四部作品《九兄弟：马尼涅湖传说》（Bujang Sambilan: Legenda Danau Maninjau）圆满落幕，仿佛将西苏门答腊著名的马尼涅湖之魂带到了印尼首都的中心。</p><p class="ql-block"> 导演何塞·黎扎尔·马努亚（Jose Rizal Manua）与约哈尔森（Joharsen）巧妙地将米南加保经典传说与兰代剧、传统武术、舞蹈、吟唱以及塔伦蓬（Talempong）音乐融为一体，构筑出一部引人入胜的舞台史诗。阿宁迪塔·萨拉斯瓦蒂（Anindita Saraswati）饰演普蒂·拉萨尼（Puti Rasani），里德万·凯南（Ridwan Kainan）饰演吉兰（Giran），里奥·陈（Rio Chan）饰演帕利莫·巴尤亚（Palimo Bayua），共同赋予这则代代相传的阿甘地区传奇新的生命力。</p><p class="ql-block"> 当晚最令人瞩目的，是多位重要嘉宾亲临现场，包括代表西苏门答腊省省长出席的省文化局局长赛义夫·巴赫里（Syaiful Bahri）、雅加达特区省长代表，以及印尼内政部人力资源发展局（BPSDM）局长。三位政府官员的到场，充分表明兰代剧不仅受到传统艺术爱好者的喜爱，也获得了政策制定者的重视与支持。兰代剧不仅是地方文化遗产，更是值得珍视和传承的国家文化财富。</p><p class="ql-block">此次演出由“西苏门答腊人才基金会”（Sumbar Talenta Indonesia）、“米南加保青年运动”（Gerakan Mudo Minangkabau）和索菲亚尼艺术团（Sanggar Sofyani）联合制作，并获得印尼文化部支持。作品将传统文化与现代叙事手法相结合，赢得广泛赞誉。</p><p class="ql-block"> 来自雅加达米南社群及普通观众纷纷表示：</p><p class="ql-block">«“山洪暴发（Galodo）那一幕令人浑身起鸡皮疙瘩！尤其是安达·祖尔菲尔曼（Andha Zulfirman）在演出开始时演唱的米南加保歌曲，更引得全场观众情不自禁地跟着合唱。”»</p><p class="ql-block"> 曾任舞蹈演员的赛义夫·巴赫里特别提到《芒加罗舞》（Tari Manggaro Sofyani）是整场演出中最令人难忘的部分：</p><p class="ql-block">«“这支舞蹈是索菲亚尼所有作品中艺术价值最高的代表作之一。无论动作、音乐还是主题，都与整部作品完美融合，使其所承载的信息得以充分传达。”»</p><p class="ql-block">他进一步表示：</p><p class="ql-block"> “《兰代剧第四部》回应了当下文化领域的焦虑。在人工智能内容席卷全球的时代，兰代剧证明了由真实的人所创造和演绎的传统艺术，依然拥有算法无法取代的生命之火。何塞·黎扎尔·马努亚与约哈尔森成功地将传统艺术与现代戏剧结合，为下一代留下宝贵的文化遗产。”»</p><p class="ql-block">出席活动的还有“一支笔作家协会”（Satu Pena）秘书长阿尔迈迪·丹戎（Armaidi Tanjung）、“米南贵族协会”（Rang Kayo Minang）主席露西·索菲扬（Lusie Sofyan）以及丹那达塔尔县“本杜·坎杜昂协会”（Bundo Kanduang）主席米拉·古斯尼瓦尔蒂（Mira Gusniwarti）。他们对于身在异乡的米南加保青年仍愿意投入时间与热情练习传统艺术深感欣慰与自豪。</p><p class="ql-block"> “西苏门答腊人才基金会”创始人、《兰代剧第一部》发起人萨斯特丽·巴克里（Sastri Bakry），以及米南加保青年运动（Gemumi）主席阿古斯·西斯万托（Agus Siswanto）和前主席库尔尼亚瓦蒂（Kurniawati），也为舞者、歌手、乐师及吟唱艺人们能够团结协作、坚持创作至第四部作品而倍感骄傲。</p><p class="ql-block"> 本次演出还迎来了已故民间故事讲述大师尤斯·拿督·帕尔帕蒂·萨巴唐（Yus Dt. Perpatih Sabatang）的夫人及家族成员。正是他将《九兄弟》的传奇故事代代传述下来。这个故事围绕诽谤、权力、爱情以及家族中舅父角色被忽视等主题展开，深刻反映了米南加保社会文化。</p><p class="ql-block"> 演出尾声，当现场播放已故尤斯拿督生前留下的视频寄语时，全场气氛达到情感高潮。他在视频中呼吁后人继续守护和传承米南加保文化，令许多观众动容落泪。</p><p class="ql-block"> 如需了解更多演出资讯，请关注 Instagram 和 TikTok 官方账号：</p><p class="ql-block">@mahakarya_randai这是一篇新闻报道风格的正式汉译，适合刊登于文化艺术媒体、文学杂志或活动报道专栏。</p> <p class="ql-block">MAHAKARYA RANDAI 4 “BUJANG SAMBILAN” SUCCESSFULLY REVIVES THE LEGEND OF LAKE MANINJAU AT TIM</p><p class="ql-block">Epic Performance by Minangkabau Youth in Jakarta Attended by Representatives of the West Sumatra Governor, Jakarta Provincial Government, and the Head of the Ministry of Home Affairs’ Human Resources Development Agency</p><p class="ql-block">Jakarta, 20 June 2026 – The Grand Theatre of Taman Ismail Marzuki (TIM) in Jakarta was filled with applause, laughter, and tears on Friday evening. Every dynamic scene stirred the emotions of the audience.</p><p class="ql-block">The fourth installment of Mahakarya Randai, entitled “Bujang Sambilan: The Legend of Lake Maninjau,” was successfully staged over two and a half hours, bringing the spirit and aura of Lake Maninjau into the heart of Indonesia’s capital.</p><p class="ql-block">Directors Jose Rizal Manua and Joharsen masterfully blended a classic Minangkabau tale with randai choreography, silat martial arts, dance, traditional chanting, and talempong music, creating a captivating theatrical narrative. Anindita Saraswati as Puti Rasani, Ridwan Kainan as Giran, and Rio Chan as Palimo Bayua brought to life a legend that has been passed down through generations among the people of Agam.</p><p class="ql-block">What made the evening particularly special was the presence of Syaiful Bahri, Head of the West Sumatra Cultural Office, representing the Governor of West Sumatra; a representative of the Governor of Jakarta; and the Head of the Human Resources Development Agency (BPSDM) of Indonesia’s Ministry of Home Affairs. Their attendance demonstrated that randai is not only appreciated by lovers of traditional arts but is also valued by policymakers. Randai is not merely a regional art form—it is a national cultural asset worthy of preservation.</p><p class="ql-block">The production, a collaboration between Sumbar Talenta Indonesia, Gerakan Mudo Minangkabau, and Sanggar Sofyani, with support from Indonesia’s Ministry of Culture, successfully combined tradition with contemporary storytelling. Audience members, ranging from Jakarta’s Minangkabau community to general theatre enthusiasts, shared similar reactions:</p><p class="ql-block">«“The flood scene gave us goosebumps. And the Minangkabau song performed by Andha Zulfirman at the opening moved many in the audience to sing along.”»</p><p class="ql-block">According to Syaiful Bahri, himself a former dancer, the most memorable part of the performance was the Tari Manggaro Sofyani.</p><p class="ql-block">«“This dance possesses the highest aesthetic value among all of Sofyani’s creations. Its movements, music, and theme blend seamlessly with the production, allowing its message to reach the audience effectively,” he said.»</p><p class="ql-block">Syaiful Bahri further remarked:</p><p class="ql-block">«“Mahakarya Randai 4 responds to today’s cultural concerns. Amid the flood of AI-generated content, randai proves that traditional art, performed by real human beings, still carries a living fire that no algorithm can replace. Jose Rizal Manua and Joharsen have successfully fused tradition with modern theatre, ensuring its transmission to future generations.”»</p><p class="ql-block">Also in attendance were Armaidi Tanjung, Secretary of Satu Pena; Lusie Sofyan, Chairperson of Rang Kayo Minang; and Mira Gusniwarti, Chairperson of Bundo Kanduang Tanah Datar. They expressed pride in seeing young Minangkabau people living away from their homeland continue to dedicate their time and energy to preserving their cultural heritage.</p><p class="ql-block">Sastri Bakry, Founder of Sumbar Talenta Indonesia and initiator of the first Mahakarya Randai production, together with Agus Siswanto, Chairman of Gemumi, and Kurniawati, former Chairperson of Gemumi, also expressed their pride in the solidarity and dedication of the dancers, singers, musicians, and traditional vocal performers who have remained committed through all four productions.</p><p class="ql-block">The performance was also attended by the wife and extended family of the late Yus Dt. Perpatih Sabatang, the renowned storyteller who preserved and passed down the tale of Bujang Sambilan—a story woven with intrigue, power, love, and the diminishing respect for the role of the maternal uncle (mamak) within the family structure.</p><p class="ql-block">The evening concluded on an emotional note when a video message from Datuk Yus, recorded before his passing, was shown to the audience. In the message, he urged future generations to continue nurturing and safeguarding Minangkabau culture.</p><p class="ql-block">For information about upcoming performances, follow @mahakarya_randai on Instagram and TikTok.</p> <p class="ql-block"><b>MAHAKARYA RANDAI 4 “BUJANG SAMBILAN” SUKSES MENGHIDUPKAN LEGENDA DANAU MANINJAU DI TIM</b></p><p class="ql-block">Pertunjukan epik kolaborasi anak muda Minangkabau di Jakarta dihadiri Gubernur Sumbar, Pemprov DKI, dan Kepala BPSDM Kemendagri</p><p class="ql-block">*Jakarta, 20 Juni 2026* – Panggung Teater Besar Taman Ismail Marzuki Jakarta malam itu dipenuhi tepuk tangan, gelak tawa, dan air mata. Setiap adegan yang penuh dinamika berhasil memantik emosi penonton.</p><p class="ql-block">Mahakarya Randai 4 bertajuk “Bujang Sambilan: Legenda Danau Maninjau” sukses digelar selama 2,5 jam, seolah membawa aura Danau Maninjau ke jantung ibu kota.</p><p class="ql-block">Sutradara Jose Rizal Manua & Joharsen meramu kisah klasik Minangkabau dengan koreografi randai, silat, tari, dendang, dan musik talempong menjadi satu narasi cerita yang memukau. Anindita Saraswati sebagai Puti Rasani, Ridwan Kainan sebagai Giran, dan Rio Chan sebagai Palimo Bayua berhasil menghidupkan legenda yang diwariskan turun-temurun masyarakat Agam.</p><p class="ql-block">Yang membuat malam itu istimewa: hadir langsung Syaiful Bahri, Kepala Dinas Kebudayaan Sumbar yang mewakili Gubernur Sumbar; perwakilan Gubernur DKI Jakarta; serta Kepala BPSDM Kementerian Dalam Negeri RI. Kehadiran tiga pejabat ini jadi bukti bahwa randai bukan hanya dinikmati pecinta seni tradisi, tapi juga mendapat ruang di hati para pemangku kebijakan. Randai bukan sekadar seni daerah, tapi aset budaya nasional yang layak dijaga.</p><p class="ql-block">Pertunjukan yang merupakan kolaborasi Sumbar Talenta Indonesia, Gerakan Mudo Minangkabau, Sanggar Sofyani, dan didukung Kementerian Kebudayaan RI ini memadukan tradisi dengan narasi modern. Penonton dari komunitas Minang di Jakarta hingga penikmat seni umum kompak berkomentar: “Merinding pas adegan galodo-nya. Apalagi lagu Minangkabau yang dinyanyikan Andha Zulfirman di awal pertunjukan, sampai memancing penonton ikut bernyanyi bareng.”</p><p class="ql-block">Menurut Syaiful Bahri yang juga mantan penari, bagian paling berkesan adalah Tari Manggaro Sofyani. “Tari ini punya nilai estetika tertinggi dari semua karya Sofyani. Baik gerak, musik, maupun temanya, menyatu dengan mahakarya sehingga pesannya sampai,” ujarnya.</p><p class="ql-block">Syaiful Bahri menambahkan, “Mahakarya Randai 4 menjawab keresahan budaya: di tengah gempuran konten AI, randai membuktikan seni tradisi yang dilakoni manusia utuh masih punya ‘api’ yang tak bisa digantikan algoritma. Jose Rizal Manua dan Joharsen berhasil memadukan tradisi dengan teater modern untuk diwariskan ke generasi berikutnya.”</p><p class="ql-block">Turut hadir Armaidi Tanjung, Sekretaris Satu Pena; Lusie Sofyan, Ketua Rang Kayo Minang; dan Mira Gusniwarti, Ketua Bundo Kanduang Tanah Datar. Mereka bangga melihat anak muda Minangkabau di rantau yang masih mau meluangkan waktu berlatih.</p><p class="ql-block">Sastri Bakry, Founder Sumbar Talenta Indonesia, penggagas Mahakarya 1 Randai bersama Agus Siswanto, Ketua Gemumi, dan Kurniawati, mantan Ketua Gemumi, juga merasa bangga melihat kekompakan penari, penyanyi, pemusik, dan pendendang yang terus eksis hingga Mahakarya 4.</p><p class="ql-block">Pertunjukan ini juga dihadiri istri dan keluarga besar Yus Dt. Perpatih Sabatang, almarhum sang petutur kisah Bujang Sambilan yang penuh fitnah, kekuasaan dan cinta serta tak dihargainya mamak dalam keluarga. Di saat terakhir , pertunjukan menjadi emosional saat diputar video pesan Datuk Yus, sebelum meninggal agar tetap merawat budaya Minangkabau</p><p class="ql-block">Untuk info pertunjukan selanjutnya, ikuti @mahakarya_randai di Instagram & TikTok.</p>