诗人曰：桥在深渊之上生长

海外文苑

<h5><div>本期作品发刊纽约综合新闻报第855期</div><div>It was published on New York 'Compact News' Edition #855.</div><div> </div></h5><h3>汉译:佩英 Translated by Christine Chen</h3> <h5>阿瓦迪佛·奥尔加·基利（Awadifo Olga Kili） 乌干达诗人、作家兼律师。她的文学之路由三部作品标志：《胜利的故事》《哭泣的回声》《海螺壳上的污渍》。其作品发表于多家国际知名期刊，影响广泛。她热衷于维和、和平建设与战后疗愈，在写作中融入社会公正与人权主题。作为乌干达极具影响力的女性之一，她以文字激励与思考，积极推动本国文学的发展。 </h5> <div>理解的种子</div><div> </div>冲突的鼓声 在思想的集市上震响， 愤怒的爪子 扼住理性的喉咙， 智慧的声音被淹没。 但缓缓地，像一条溪流 磨平坚石的棱角， 对话开始渗入 干涸的心田， 理解的种子 悄然发芽。 战士收起锋利的言辞， 长者传递着 源自人性的和平，以及 宽恕的温暖。 风向树木低语秘密， 树木如智者般 频频点头， 它们懂得—— 冲突的烈焰 终能被共情与爱的雨水熄灭。 SEEDS OF UNDERSTANDING The drums of conflict beat loud in the marketplace of minds anger claws at the throat of reason, and the voice of wisdom is drowned But slowly, like a stream that wears down the rock dialogue begins to seep into the parched earth of hearts, and the seeds of understanding sprout The warriors sheathe their words and the elders share a peace born of shared humanity and the warmth of forgiveness The wind whispers secrets to the trees and the trees, like wise ones nod in agreement that conflict's fire can be quenched by the rains of empathy and love. <div>和解之桥</div><div> </div>河湾轻转，影舞如歌， 两条路在暮色中相逢， 分岔的舌音交织， 陌生的心燃起古老的痛火。 往事的伤口仍在呼吸， 宽恕，如露水般悄然渗入， 共情的暖意融化冰封的真相， 两颗心，在静默中相语， 卸下沉重的壳。 桥，在深渊之上生长， 人性的光慢慢苏醒， 一缕金辉，温柔共享， 那是和解无声的力量。 它不急不迫， 如春芽破土， 由相互的敬意滋养， 在新生的雨中缓缓盛开。 RECONCILIATION'S BRIDGE River's bend, shadows dance two paths converge, forked tongues meet strangers speak, hearts aflame with ancient pains Past hurts linger, wounds exhale forgiveness seeps, morning dew empathy's warmth thaws frozen truths hearts converse, heavy no more Bridges rise, chasms deep common humanity slowly dawns golden light, shared, warm reconciliation's quiet strength Grows, like a seedling, unforced nourished by mutual respect gentle rains of new life. <div>疗愈的柔雨</div><div> </div>余波的寂静里，呢喃悄然潜行， 如母亲温柔的歌， 抚慰战后疲惫的心， 平息汹涌的哭声。 疼痛的记忆依然锋利， 但宽恕开始渗透， 在深裂的缝隙中流淌， 缓缓缝合破碎的灵魂。 时间，这温柔的治愈者， 以无声的指尖抚平创口， 疼痛渐渐释然， 和平如清晨露珠的凉吻，轻轻落下。 群体在静谧中找到安慰， 圆满的黎明悄然降临， 痛楚的影子渐行渐远， 爱的温暖，重新铺展于心间。 HEALING'S GENTLE RAIN . Aftermath's silence, whispers creep softly, like a mother's gentle song soothing battle-weary hearts calming turbulent cries Pain's memories still linger sharp but forgiveness begins to seep into cracks, fissures wide mending brokenness, slow Time, a gentle healer, tends wounds with tender, quiet touch hurt's slow release, peace settles like morning dew's cool kiss Communities find solace in stillness wholeness dawns, ache fades away memory of pain recedes room for love's warmth unfolds. <div> </div><div> </div>正义之曙光 曙色破晓，阴影消散， 正义在鼓动——如涨满的河流； 冲突的黑夜方才退去， 权利与自由在挣扎中萌生。 声声呼喊，自清晨嘶哑升起， 要求平等的锋芒毕露； 被边缘的人们放声言说， 他们的故事苦涩而哀痛。 不义的锁链缓缓断裂， 和平与公正奋力突围； 受压迫者拾回尊严，宣示权利， 描摹人类脆弱而崭新的形状。 领袖在晨光的炽烈中出现， 引领众人穿越残余的黑暗， 为另一场黎明铺路—— 那更明亮，却仍未知的白昼。 JUSTICE'S DAWN Dawn breaks, shadows scatter justice stirs, river's swollen flow after conflict's dark, restless night rights and freedoms struggle to grow Voices rise, morning's raw cry demanding equality's sharp edge marginalized people speak out loud their stories, a bitter, anguished moan Injustice's chains shatter slowly as peace and justice wrestle free oppressed claim dignity, assert rights humanity's new, fragile design Leaders emerge, morning's fierce light guiding people, near, far, through the dark paving the way for a new dawn a brighter day, still uncertain. <div>诗歌赏析：</div><div>阿瓦迪佛·奥尔加·基利这组诗以冲突—对话—疗愈—正义为清晰的伦理递进结构，完成了一次从个人创伤到公共价值的诗性转化。语言温和而不软弱，善用自然意象（雨、桥、黎明）承载政治与人权议题，使宏大主题获得可感的情绪温度。其诗学优势在于克制、同理与道德清醒，避免口号化，却始终指向行动与责任，体现出一位女性诗人兼法律人的思想深度与人文担当。（佩英）</div><div>Editorials:</div><div>This group ofAwadifo Olga Kili's poems is structured around a clear ethical progression—from conflict to dialogue, from healing to justice—achieving a poetic transformation from personal trauma to public value. The language is gentle yet never weak, skilfully employing natural imagery (rain, bridges, dawn) to carry political and human rights concerns, lending emotional warmth and immediacy to grand themes. Its poetic strength lies in restraint, empathy, and moral lucidity: it avoids sloganeering while consistently pointing toward action and responsibility, revealing the intellectual depth and humanistic commitment of a woman poet who is also a legal professional.(By Christine Chen)</div> <h5>耶莱娜·萨里奇·茨韦特科维奇（Jelena Sarić Cvetković）塞尔维亚语文学教授，2009 年出版诗集《太阳的念珠》，2023 年出版《道路》。2021 年创立并担任青年文化艺术家协会 MUK 主席，积极推动文学与文化发展。</h5> 最后的希望 人终究还是人， 总在重复相同的错。 踏着旧路前行——盲了，聋了， 听不见远方隐约的呼唤。 我们一次次坠入深渊， 本该攀向耀目的高处； 常在黑暗中踉跄， 错过自身本应闪耀的光。 但这是我，这颗星球，我的选择， 也是我听见内心之声的方式。 直到最后一人仍然伫立， 我们仍要庆祝、仍要欢呼！ 以特斯拉之名，以他的遗光， 我们少数人依然挺身而立。 唯有我们能改写未来， 在他的指引下前行。 LAST HOPE Humans will always be humans repeating the same wrong choices. Walking on the same path, blind and deaf, never hearing far-off voices. In the depths we fall, instead of reaching dazzling heights, always in the dark, missing our radiant lights. But this is me, my planet, my choice, and yes, this is my way to hear my voice! Until last man standing we need to rejoice! In Tesla's name and his legacy a few of us proudly stand. Only we can transform our future guided by his hand. <div> </div><div> </div> 航行在沙漠之海 在世界尽头， 在我们存在的终点， 我将登上那艘无垠之船， 驶入死者灵魂的海—— 他们为自己残暴的折磨而乞求宽恕。 我会喝尽杯中最后一滴， 心知我理应在此。 这荣耀之船迎来了一位特别的来客， 因我毕生漂泊于恶浪之上， 而这，便是我的奖赏。 湿婆为我端来甜点， 我从容享用， 因为我离开尘世时，无憾无悔。 我将唱起最爱的歌， 静候天堂之岸在我眼前—— 抛下它神圣的锚。 SAILING IN THE DESERT SEA At the end of the world and our existing I would board the ship of infinity and sail through the sea of dead souls who beg forgiveness for their heinous torments. I'd also finish my drink and know that I deserve to be here. This glory ship has a special guest on board because I spent my entire life on the rough seas, and this is my reward. Shiva is bringing dessert to me and I enjoy it, knowing that I left my life without any repentance. I would sing my favourite song and wait for the land of heaven to be anchored. <div>诗歌赏析：</div><div>耶莱娜·萨里奇·茨韦特科维奇这两首诗呈现出强烈的存在主义与精神史诗气质。《最后的希望》以人类反复犯错的宿命感切入，却并未沉溺于虚无，而是借“特斯拉”这一理性与理想的象征，确立少数者承担未来的伦理姿态，带有清醒而孤独的英雄意识。《航行在沙漠之海》则更趋神话化与形而上，将死亡视为完成而非终结，融汇宗教、审判与自我和解。整体语言直陈而富象征张力，思想锋利，体现出学者型诗人对文明、信念与终极归宿的深度思考。（佩英）</div><div>Editorials:</div><div>These two poems of Jelena Sarić Cvetković</div><div>display a strong existential and spiritual-epic quality. Last Hope begins with the fatalistic recognition of humanity’s repeated errors, yet it does not sink into nihilism. Instead, by invoking “Tesla” as a symbol of reason and idealism, it affirms an ethical stance in which a conscious minority assumes responsibility for the future, marked by a lucid yet solitary heroic awareness. Sailing in the Desert Sea moves further into mythic and metaphysical territory, treating death as fulfillment rather than an end, and weaving together religion, judgment, and self-reconciliation. Overall, the language is direct yet rich in symbolic tension, intellectually sharp, and reflective of a scholar-poet’s profound meditation on civilization, belief, and ultimate destiny.(by Christine Chen)</div><div> </div> (本期所有文字均获作者授权)