TB6903 Love and Anger Morricone Bar-047

HAN

<div style="text-align: center;"><h1><b><font color="#ed2308">TB6903 Amore e rabbia / Love and Anger (Marco Bellocchio, Pier Paolo Pasolini, Elda Tattoli, Carlo Lizzani, Jean-Luc Godard, Bernardo Bertolucci)</font></b></h1></div> <b><font color="#ed2308">Summary of the film</font></b>: 1969 Italy-France film. 5 Segments by 5 directors&nbsp; Marco Bellocchio, Pier Paolo Pasolini, Elda Tattoli, Carlo Lizzani, Jean-Luc Godard, Bernardo Bertolucci, starring Tom Baker, Julian Beck, Jim Anderson,length 102 minutes.<br><br>The film is composed of episodes that deal with some of the themes present in Jesus' parables and anecdotes of the canonical gospels. These issues, however, are reproduced in the present from their directors.<br><br>Segments<br><br>A man is suffering from road, badly injured. Passers do not deign to look at him, and continue walking on their way. The episode is taken from Jesus' parable of the Good Samaritan.<br>Agony<br><br>A bishop is ill and about to die. Before he dies, the man has a vision of God, who tells him that his life has been misspent. The bishop realizes that he spent his life not properly respecting the gospel, but now it is too late.<br>The sequence of the paper flower<br><br>A beautiful smiling guy's walking on the streets of a city, bringing with him a large poppy paper. The boy is the goodness and innocence of youth, which is soon cut short by human wickedness. Indeed, while the merry boy is walking, the episode shows the evil done by man during the Second World War. At the end of the story, the boy is struck by lightning from the sky and dies, guilty of having been in his life a happy person and a good neighbor.<br>Love<br><br>A woman and a man're arguing with each other. They represent democracy and the people's revolution that can not get along, although their ideas are similar.<br>We tell, tell<br><br>A group of young guys occupies a university. Young people are fighters student revolution of the Sixties, and now that they have in hand the building, the guys begin to argue among themselves, bringing new ideas and changes. However, they do nothing but talk nonsense, not changing anything in society.<br> <div style="text-align: center;"><h1><br></h1><h1><b><br></b></h1><h1><b><font color="#ed2308"><font color="rgb(1,1,1)">VIDEO</font> Amore e rabbia segment 5-3 "La sequenza del fiore di carta" (56 web site 10'16")</font></b></h1></div> <div style="text-align: center;"><br><font color="#ed2308"><br></font><h1><b><font color="#ed2308"><font color="rgb(1,1,1)">VIDEO </font>Amore e rabbia segment 5-3 "La sequenza del fiore di carta" (<font color="rgb(1,1,1)">YouTube</font> 10'16")</font></b></h1></div> <div style="text-align: center;"><h1><br></h1><h1><br></h1><h1><b><font color="#ed2308"><font color="rgb(1,1,1)">VIDEO</font> Full film "Amore e rabbia" (<font color="rgb(1,1,1)">YouTube</font>)</font></b></h1></div> <b>Giovanni Fusco (1906-1968) </b>:Giovanni Fusco was born on October 10, 1906 in Sant'Agata de' Goti, Campania, Italy. He was a composer, known for L'Avventura (1960), Hiroshima mon amour (1959) and L'eclisse (1962). He died on May 31, 1968 in Rome, Lazio, Italy. (Here a and here) <font color="#ed2308"><b>Ennio Morricone</b></font>: was born 10 November 1928. is an Italian composer, orchestrator, conductor, and former trumpet player. Ennio Morricone studied at Rome's Santa Cecilia Conservatory, His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. His name will always be synonymous with the spaghetti Western.... <b><font color="#ed2308">Summary of the music </font></b>: The film includes 5 short films. 4 films of them composed by Giovanni Fusco, and 1 short film " La sequenza del fiore di carta" composed by Ennio Morricone. CHIMAI shows total 2 music: One is "Fruscio di foglie verdi", it is arranged by Ennio Morricone from 1968 film "Teorema" (TA6822); Other one is from J.S. Bach's "Matthaus-Passion" (1729), (The "Matthaus-Passion" includes 72 sub-music, here only cited small part). Unforturnaly, the film no released any album up to now, we only can find their track in the film video (See above video 5-3 04:58-05:35 and 06:49-09:52) <br><br><b>See here for detail content&nbsp;&nbsp;</b>&nbsp;&nbsp; <br><br>http://morricone.cn/tfm/tfm-1969-eng.htm <br><br><b>Directory of the column&nbsp;&nbsp;&nbsp; </b><br><br>https://a.meipian.cn/c/6125752<br> <br><b>Welcome to “Morricone Fans” web site&nbsp; </b><br><br>http://morricone.cn/index-eng.htm<br>