<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（三十）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block" style="text-align:center;"><b>030</b></p><p class="ql-block" style="text-align:center;"><b>A CELADON JADE </b></p><p class="ql-block" style="text-align:center;"><b>DRAGON-FORM PENDANT</b></p><p class="ql-block" style="text-align:center;"><b>戰國 青白玉夔龍形珮</b></p><p class="ql-block" style="text-align:center;">Warring States Period</p><p class="ql-block" style="text-align:center;">Width 10.8 cm.</p> <p class="ql-block"> 這件扁平玉牌雕刻成側面龍形，龍首轉向背部。頭部刻有小眼睛和突出鼻吻，頭頂鑲有彎曲角。豌蜒的身體呈四個弧度，附以卷狀附肢。兩側裝飾雲紋。第二個弧度的外緣有貫孔。淺綠玉，帶有少許赭色痕跡。</p><p class="ql-block"> 相似的戰國時期例子收藏於台北國立故宮博物院，見於《實幻之間:院藏戰國至漢代玉器特展》，2020年，第117頁，I-1-03。另一件例子見於John Johnson與陳麗碧，《5,000 Years of Chinese Jade》，聖安東尼奧，2011年，第72頁，第37號，書中指出此類墜飾在東周時期非常流行，其造型源自西周早期的弧形璜墜。</p> <p class="ql-block"> The flat plaque carved as a dragon in profile, with its head turned over its back. The head detailed with small eyes and prominent snout, surmounted by a curved horn. The sinuous body portrayed with four curves, accented with scrolled appendages. Each side decorated with cloud scrolls. The outer edge of the second curve pierced with an aperture. The pale green stone with hints of russet.</p><p class="ql-block"> A similar Warring States Period example in National Palace Museum, Taipei, is illustrated in Betwixt Reality and Illusion: Jades from the Warring States Period to Han Dynasty, 2020, p. 117, I-1-03. Another example is illustrated in John Johnson and Chan Lai Pik, 5,000 Years of Chinese Jade, San Antonio, 2011, p. 72, no. 37, where it is noted that such pendants were very popular during the Eastern Zhou dynasty and derived from the arc-shaped huang pendants of the preceding Western Zhou dynasty.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>