走进北海公園｜觀七佛塔亭、琉璃阁！

美在苏杭

萬壽路 故宮博物院西北角楼 北海公園觀万春亭 北海公園白塔 北海团城在北海公園南门口，需单独买票1元。景色有著名的团城三宝和团城三白，非常特殊，值得推薦。 清洁工荡起了双浆⋯⋯ 睡猫 景观 五龙亭 北海 北海公園五龙亭 北海公園五龙亭 北海公園一角 北海公園的猫 九龙壁 西天梵境 大慈真如宝殿匾大殿为金絲楠木制作。 華藏恆春匾 国槐 华严清界殿始建于乾隆二十四年（1759年），三开间，歇山重檐，黄琉璃绿剪边屋面。前接大慈真如宝殿，后连七佛塔亭与琉璃阁，是联通西天梵境建筑群第二进院落及第三进院落重要的一座文物建筑。 2026年1月22日上午，北海公园琉璃阁院落腾退移交仪式成功举办，标志着北海“西天梵境”建筑群恢复其完整性。琉璃阁院落时隔70余年首次对外开放。琉璃阁（万佛阁），位于北京北海公园“西天梵境”建筑群的第三进院落，建于清乾隆二十四年（1759年），外立面镶嵌1424尊五彩琉璃无量寿佛像，是国内现存清代官式琉璃建筑中的珍品。其建造背景十分特殊，乾隆帝計劃复刻南京大报恩寺的九层琉璃塔，正修到第四层时遭遇雷击起火焚毁，后工匠直接利用过火的残余琉璃构件拼接改造，最终建成了现在的三层檐无梁殿结构琉璃阁。院落自1955年起成为北京市考古研究院的办公场所和存放文物使用，尘封超过70年，直到2026年1月按照北京市政府要求完成腾退移交，2026年9月29日首次完整面向公众开放，补齐了北海公园“西天梵境”建筑群的完整游览格局。 琉璃阁局部 布啰拏（摩羯）保护之相婆啰拏（童男）福资之相龙子人身蛇尾，双手交叠于胸前，衣袂飘飘形若飞天，背后为云纹及火焰纹童子衣着水袖，双手高举，托举铺着包袱巾的托盘上有美味珍馐。 自上而下分別是：舍啰拏（兽王）自在之相救啰拏（象王）善师之相宝瓶力士托宝瓶力士江崖 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind.舍啰拏（兽王）自在之相救啰拏（象王）善师之相宝瓶力士托宝瓶力士江崖 布啰拏（摩羯）保护之相婆啰拏（童男）福资之相龙子人身蛇尾，双手交叠于胸前，衣袂飘飘形若飞天，背后为云纹及火焰纹。童子衣着水袖，双手高举，托举铺着包袱巾的托盘上有美味珍馐。 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind. 琉璃柱上绘有麦穗和云彩 琉璃阁在古建琉璃中拥有极高地位。一、出身规格高：乾隆时期的皇家工程。本是乾隆为复刻南京大报恩寺琉璃塔下旨修建的九层宝塔，建至四层遭雷火焚毁，后改建为如今的三层楼阁。工程规格并未降低，由内务府大臣亲自督办，调集官窑经验丰富的工匠，使用皇家高等级琉璃料，从诞生起就属于皇家重点营造项目。二、形制特殊：少见的楼阁式琉璃建筑通高19.5米，三覆檐歇山顶，是北京现存体量较大、琉璃构件类型丰富的楼阁式琉璃建筑。不同于颐和园智慧海的单层无梁殿形制，也区别于九龙壁、琉璃牌坊这类单体装饰构件，是完整的功能性殿阁，结构复杂度与工程难度都极高。三、千佛排布：官窑标准化工艺的体现。四面墙体共镶嵌1424 尊无量寿佛琉璃像，数量在北京同类琉璃建筑中十分突出。更见功力的不是数量多，而是成品高度统一。全手工年代，每尊佛像都要经制模、素烧、施釉、复烧多道工序，最终上千尊造像神态、釉色、尺寸规整一致，严丝合缝嵌入墙体，体现了乾隆官窑成熟的标准化生产能力。四、通体琉璃：工艺难度远超普通琉璃建筑。绝大多数古建只在屋顶铺琉璃瓦，琉璃阁是真正的通体琉璃建筑：墙体以琉璃砖替代饰面，斗拱、平座栏杆全由琉璃烧制，精准复刻官式木构比例；券门镶嵌藏传佛教六拏具浮雕，模塑层次细腻。琉璃烧制极易变形，异形构件要做到精准拼接，废品率很高，这类工艺通常只有皇家工程才有实力落地。五、藏汉融合：盛世营造的文化缩影。不是单一风格的堆砌，而是多民族文化的融合呈现：汉地官式的三重檐歇山顶，藏传佛教的造像与纹样，中原规制的黄主绿辅釉色，全部在官式法度内有序结合，是乾隆朝皇家建筑的典型风格。琉璃阁一层佛像头部多有损毁，二层保存完好。 琉璃柱上绘有麦穗和云彩 七佛塔亭始建于乾隆四十二年（1777年），位于琉璃阁与华严清界殿之间，为重檐八方亭，黄琉璃瓦攒尖顶屋面。亭内设有一座八角形七佛塔，塔身各面分别镌刻七世佛像及清高宗弘历题《七佛塔碑记》。Seven Buddhas Pagoda PavilionFirst constructed in 1777, the 42nd year of the EmperorQianlong's reign duringthe Qing Dynasty, the Seven BuddhasPagoda Pavilion has an octagonal plan and is crowned with a double-eaved octagonal pyramidal roof clad in yellow-glazed tiles.The pavilion sits along the central axis of the Liuli Pavilioncourtyard, with the Huayan Pure Realm Hall to its south and the Liuli Pavilion to its north. At its center rises the Seven Buddhas Pagoda.Of the pagoda's eight faces, seven are each inlaid with an image of one of the Seven Buddhas of the Past, while the eighth face bears a stone inscription of the Note on the Seven Buddhas Pagoda composed by Emperor Qianlong. The pagoda rests on an octagonal stone Sumeru pedestal. 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind. 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind. 七佛塔亭始建于乾隆四十二年（1777年），位于琉璃阁与华严清界殿之间，为重檐八方亭，黄琉璃瓦攒尖顶屋面。亭内设有一座八角形七佛塔，塔身各面分别镌刻七世佛像及清高宗弘历题《七佛塔碑记》。Seven Buddhas Pagoda PavilionFirst constructed in 1777, the 42nd year of the EmperorQianlong's reign duringthe Qing Dynasty, the Seven BuddhasPagoda Pavilion has an octagonal plan and is crowned with a double-eaved octagonal pyramidal roof clad in yellow-glazed tiles.The pavilion sits along the central axis of the Liuli Pavilioncourtyard, with the Huayan Pure Realm Hall to its south and the Liuli Pavilion to its north. At its center rises the Seven Buddhas Pagoda.Of the pagoda's eight faces, seven are each inlaid with an image of one of the Seven Buddhas of the Past, while the eighth face bears a stone inscription of the Note on the Seven Buddhas Pagoda composed by Emperor Qianlong. The pagoda rests on an octagonal stone Sumeru pedestal. 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind. 大鹏金翅鸟（伽噌拏）头戴宝冠，双爪擒蛇并纳于口中，脚捉龙子蛇尾，四周为火焰纹。 寿门两侧对称童子骑跨于羊背上羊前蹄一只弯曲，一后蹄踩于藤蔓上，甚余两蹄着地，立于莲台。聚宝盆中生长藤蔓及莲座。狮子尾部上立，一只后爪抬起，背上背有聚宝盆，宝瓶中生有莲花宝座。一头大象站立于莲花座上。象背上驮有宝瓶。宝瓶中生出藤蔓莲座力士头部已毁手托宝瓶。 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind. 七佛塔亭始建于乾隆四十二年（1777年），位于琉璃阁与华严清界殿之间，为重檐八方亭，黄琉璃瓦攒尖顶屋面。亭内设有一座八角形七佛塔，塔身各面分别镌刻七世佛像及清高宗弘历题《七佛塔碑记》。Seven Buddhas Pagoda PavilionFirst constructed in 1777, the 42nd year of the EmperorQianlong's reign duringthe Qing Dynasty, the Seven BuddhasPagoda Pavilion has an octagonal plan and is crowned with a double-eaved octagonal pyramidal roof clad in yellow-glazed tiles.The pavilion sits along the central axis of the Liuli Pavilioncourtyard, with the Huayan Pure Realm Hall to its south and the Liuli Pavilion to its north. At its center rises the Seven Buddhas Pagoda.Of the pagoda's eight faces, seven are each inlaid with an image of one of the Seven Buddhas of the Past, while the eighth face bears a stone inscription of the Note on the Seven Buddhas Pagoda composed by Emperor Qianlong. The pagoda rests on an octagonal stone Sumeru pedestal. 七佛塔亭始建于乾隆四十二年（1777年），位于琉璃阁与华严清界殿之间，为重檐八方亭，黄琉璃瓦攒尖顶屋面。亭内设有一座八角形七佛塔，塔身各面分别镌刻七世佛像及清高宗弘历题《七佛塔碑记》。Seven Buddhas Pagoda PavilionFirst constructed in 1777, the 42nd year of the EmperorQianlong's reign duringthe Qing Dynasty, the Seven BuddhasPagoda Pavilion has an octagonal plan and is crowned with a double-eaved octagonal pyramidal roof clad in yellow-glazed tiles.The pavilion sits along the central axis of the Liuli Pavilioncourtyard, with the Huayan Pure Realm Hall to its south and the Liuli Pavilion to its north. At its center rises the Seven Buddhas Pagoda.Of the pagoda's eight faces, seven are each inlaid with an image of one of the Seven Buddhas of the Past, while the eighth face bears a stone inscription of the Note on the Seven Buddhas Pagoda composed by Emperor Qianlong. The pagoda rests on an octagonal stone Sumeru pedestal. 360年的国槐 七佛塔亭始建于乾隆四十二年（1777年），位于琉璃阁与华严清界殿之间，为重檐八方亭，黄琉璃瓦攒尖顶屋面。亭内设有一座八角形七佛塔，塔身各面分别镌刻七世佛像及清高宗弘历题《七佛塔碑记》。Seven Buddhas Pagoda PavilionFirst constructed in 1777, the 42nd year of the EmperorQianlong's reign duringthe Qing Dynasty, the Seven BuddhasPagoda Pavilion has an octagonal plan and is crowned with a double-eaved octagonal pyramidal roof clad in yellow-glazed tiles.The pavilion sits along the central axis of the Liuli Pavilioncourtyard, with the Huayan Pure Realm Hall to its south and the Liuli Pavilion to its north. At its center rises the Seven Buddhas Pagoda.Of the pagoda's eight faces, seven are each inlaid with an image of one of the Seven Buddhas of the Past, while the eighth face bears a stone inscription of the Note on the Seven Buddhas Pagoda composed by Emperor Qianlong. The pagoda rests on an octagonal stone Sumeru pedestal. 琉璃阁始建于乾隆二十四年（1759年），黄琉璃绿剪边屋面，是西天梵境第三进院落的正殿。琉璃阁分为上下二层，上层为重檐歇山顶，周身全部由琉璃构件进行装饰，四面镶嵌无量寿佛共计1424尊，是北京地区建筑面积最大，周身镶嵌佛像最多的楼阁式琉璃建筑。Liuli PavilionFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Liuli Pavilion features a roof of yellow-glazed tiles with green-trimmed edges. It serves as the main hall of the third courtyard in the Western Heaven Buddhist Realm architectural complex. The pavilion is a two-story structure. Its upper level is crowned with a double-eaved hip-and-gable roof, while the entire exterior is richly adorned with glazed elements. A total of 1,424 images of Amitayus (the Buddha of Infinite Life) are inlaid on all four sides. It is the largest pavilion-style glazed structure in Beijing and contains the greatest number of embedded Buddha figures of its kind. 华严清界殿始建于乾隆二十四年（1759年），三开间，歇山重檐，黄琉璃绿剪边屋面。前接大慈真如宝殿，后连七佛塔亭与琉璃阁，是联通西天梵境建筑群第二进院落及第三进院落重要的一座文物建筑。Huayan Pure Realm HallFirst constructed in 1759, the 24th year of the Emperor Qianlong's reign during the Qing Dynasty, the Huayan Pure Realm Hall is a three-bay structure topped with a double-eaved hip-and-gable roof clad in yellow-glazed tiles with green-trimmed edges. It is connected at the front to the Daci Zhenru Hall (Hall of Great Compassion and Truth) at the front, and to the Seven Buddhas Pagoda Pavilion and the Liuli Pavilion at the rear. It serves as a key historic structure linking the second and third courtyards of the Western Heaven Buddhist Realm architectural complex. 手机拍攝 手机拍攝 手机拍攝 手机拍攝 国槐 国槐 国槐 西天梵境前的象 北海公園觀景山万春亭 北海荡浆 北海 北海公園的猫 北海公園的猫 北海公園的猫 北海公園的猫 景山公園西门的柿子 景山公園西门的柿子 景山公園西门的柿子 景山公園西门的柿子 景山公園西门的柿子 景山公園西门的柿子 景山公園西门的柿子 景山公園西门的柿子 景山公園东门 老舍故居的柿子 丹柿小院的柿子树 丹柿小院的柿子树 丹柿小院的柿子树 老師舍故居的柿子树 中国国民党中央委員会 晚上騎車经过天安门广场 西行至南長街路口，新华门前限行，只能向南经人民大会堂西路绕道而行。