哈图艺海寻踪：芝加哥亚洲艺术遗产博物馆漫步记（二十八）

红山文化专业委员会

编辑：旭东顺喜铭台刊发：旭东 首先致谢梅英明先生 Jeffrey May美国芝加哥亚洲艺术遗产博物馆创始人汪涛博士 Dr. Tao Wang芝加哥艺术博物馆亚洲拓展事务执行总裁亚洲艺术部普利兹克专席主任中国艺术总策展人 芝加哥亚洲艺术遗产博物馆经典藏品（二十三）哈图｜整理 023A LARGE JADE GOOSE PENDANT西周玉雁珮Western Zhou Width 9.5 cm. 　　這件薄玉牌雕刻成休息鵬的輪廓，頭部轉向尾部。刻線勾勒出翅膀、尾羽及眼睛，並以附加線條形成曲線及幾何圖案。胸前頸下貫孔。灰綠色玉石，帶有部分紅褐色埋藏附著物。 此玉牌以其自然寫實而著稱。玉牌的輪廓清晰可辨為鵝。大多數鳥形玉牌以程式化方式描繪鳥類，帶有奇異冠羽、古雅圖紋，或無明顯可辨特徵，例如哈佛大學亞瑟·M·薩克勒博物館收藏的例子，於Max Loehr Louisa G. Fitzgerald Huber'《Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum,Harvard University》，劍橋，1975年，第252與256號;或台灣歷史博物館收藏的兩件例子，見於John Johnson 與陳麗碧《5,000 Years of Chinese Jade》，聖安東尼奧，2011年，第59頁，第24號。 　　The thin plaque fashioned in the outline of a resting goose with its head turned towards its tail. Incised lines delineate the wing, tail feathers, and eye, with additional lines forming curved and geometric patterns. The pendant is pierced through the breast below the neck. The grayish-green jade with some reddish-brown burial adhesions. This pendant is notable for its naturalism. The outline of the pendant makes it readily identifiable as a goose. Most bird pendants depict the birds in stylized ways with fantastic crests, archaic motifs or without identifiable characteristics, such as the examples in the collection of Harvard University's Arthur M. Sackler Museum, and illustrated in Max Loehr and Louisa G. Fitzgerald Huber, Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University, Cambridge, 1975, nos. 252 and 256; or these two examples in the National Museum of History, Taiwan, illustrated in John Johnson and Chan Lai Pik, 5,000 Years of Chinese Jade, San Antonio, 2011, p. 59, no. 24. 文献源于：芝加哥亚洲艺术遗产博物馆《鸟兽与礼器》