<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>018</b></p><p class="ql-block" style="text-align:center;"><b>AN EXTREMELY RARE GREEN </b></p><p class="ql-block" style="text-align:center;"><b>JADE HUMAN HEAD</b></p><p class="ql-block" style="text-align:center;"><b>商 青玉人首像</b></p><p class="ql-block" style="text-align:center;">Shang Dynasty Height 5 cm.</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（十八）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block"> 圓雕人首，面相誇張，雙大杏眼突出，上承寬平之鼻，下作咧口寬笑，露齒緊咬。兩側巨耳下垂，耳垂穿孔，佩以環飾。髮際呈尖形，並刻細線。頭頂自上貫通至頸底。玉質青色，間雜赤沁，著於鼻與頦處。</p><p class="ql-block"> 河南省博物院藏黃君孟夫墓所出新石器時代玉人首，見於巫鴻，《Tradition and Innovation: Ancient Chinese Jades in the Gerard Godfrey Collection》，《Orientations》，第17卷第11期，1986年，頁40，圖9a。該器之線描復刊於潔西卡·羅森(Jessica Rawson)，《Chinese Jade from the Neolithic to the Qing》，芝加哥，2002年，頁24，圖8b(1)。類似的例子已由林已奈夫和巫鴻據此類例斷為龍山時期。</p><p class="ql-block"> 一件龍山文化玉人首著錄於《上海博物館導覽·古代玉器館》，頁11。另有一件石家河文化玉人首，藏於震旦博物館，見《震旦博物館藏玉精粹》，台北，2003年，頁152-153，圖版42;另石家河文化玉人首一件，藏故宮博物院，見《故宮博物院藏品大系，玉器編1·新石器時代》，合肥，2011年，頁165，圖版156。</p> <p class="ql-block"> Carved in the round, the stylized face with exaggerated features, dominated by a pair of large almond- shaped eyes, above a broad flat nose and mouth with lips parted in a wide smile revealing clenched teeth. The large ears on either side of the head depicted with pierced, stretched lobes fitted with circular rings. The hair with a pointed fringe incised with lines. The top of the head pierced through to the bottom of the neck. The green stone with patches of russet skin accenting the face's nose and chin. </p><p class="ql-block"> A Neolithic jade human head excavated from the tomb of Huang Junmeng's wife and in the collection of the Henan Provincial Museum is illustrated in Wu Hung, 1986, 'Tradition and Innovation: Ancient Chinese Jades in the Gerard Godfrey Collection', Orientations, vol. 17, no. 11, p. 40, fig. 9a. A line drawing of that same piece is illustrated in Jessica Rawson, Chinese Jade from the Neolithic to the Qing, Chicago, 2002, p. 24, fig. 8b (1). Similar examples have been dated to the Longshan period by Hayashi Minao and Wu Hung. A Longshan culture jade head is illustrated in The Shanghai Museum guide, Shanghai Museum Ancient Chinese Jade Gallery, p. 11.</p><p class="ql-block"> Another jade head, this one from the Shijiahe culture, is illustrated in Selected Works of Jade from the Collection of Aurora Art Museum, Taipei, 2003, pp. 152-153, no. 42; and another, also from the Shijiahe culture in the collection of the Palace Museum, is illustrated in Compendium of Collections in the Palace Museum: Jade 1, Neolithic Age, Hefei, 2011, p. 165, no. 156.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>