<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（十六）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block" style="text-align:center;"><b>016</b></p><p class="ql-block" style="text-align:center;"><b>A FIGURE JADE CYLINDRICAL BEAD</b></p><p class="ql-block" style="text-align:center;"><b>新石器時代/良渚文化 </b></p><p class="ql-block" style="text-align:center;"><b>玉神人獸面紋勒</b></p><p class="ql-block" style="text-align:center;">Neolithic Period / Liangzhu Culture</p><p class="ql-block" style="text-align:center;">Height 4 cm.</p> <p class="ql-block"> 圓柱形管珠，縱向穿孔。側壁飾紋分上下二層，皆淺浮雕面具紋。上層面具作圓目，目下飾圓角長方口;下層面具則作雙重同心圓巨目，尤為突出。因埋藏，玉質已呈不透明，表面斑駁蝕坑。</p><p class="ql-block"> 另參見一件良渚文化琮形珠，出版於潔西卡·羅森(Jessica Rawson)，《Chinese Jade from the Neolithic to the Qing》，芝加哥，2002年，頁140，圖版5:2。作者指出，小型琮形珠常與有軸榫的禮斧結合使用。另一例可參見鄧淑蘋，《國立故宮博物院藏新石器時代玉器》，台北，1993年，頁128，圖版27。</p> <p class="ql-block"> The cylindrical bead pierced longitudinally, the decoration around the sides divided into two registers, each carved in low relief with mask motifs. The masks on the upper register with circular eyes above a rectangular mouth with rounded corners, the masks on the lower register with large prominent eyes formed from two concentric circles. Due to burial, the stone has turned opaque and the surface is pitted.</p><p class="ql-block"> Another Liangzhu culture bead in the form of a cong is illustrated in Jessica Rawson, Chinese Jade from the Neolithic to the Qing, Chicago, 2002, p. 140, no. 5:2, where the author notes that small cong-form beads were used in conjunction with ceremonial axes with firtings on the shaft; and another is illustrated in Teng Shu-p'ing, Neolithic Jades in the Collection of the National Palace Museum, Taipei, 1993, p.128,no.27.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>