哈图艺海寻踪:芝加哥亚洲艺术遗产博物馆漫步记(十九)

红山文化专业委员会

<p class="ql-block">编辑:旭东 顺喜 铭台 刊发:旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品(十四)</b></p><p class="ql-block" style="text-align:center;">哈图|整理</p> <p class="ql-block" style="text-align:center;"><b>014</b></p><p class="ql-block" style="text-align:center;"><b>AN ARCHAIC CALCIFIED JADE</b></p><p class="ql-block" style="text-align:center;"><b> 'MASK' CONG</b></p><p class="ql-block" style="text-align:center;"><b>新石器時代/良渚文化</b></p><p class="ql-block" style="text-align:center;"><b> 神人獸面紋玉琮</b></p><p class="ql-block" style="text-align:center;">Neolithic Period / Liangzhu Culture</p><p class="ql-block" style="text-align:center;">Height 3.3 cm.</p> <p class="ql-block">  此管形珠呈方截面,四邊略作弧曲。兩端飾以短圓領,使整器外觀如兩層小型琮。上層頂端刻一帶狀卷雲紋,兩側界以凸起的水平線條;其下每面中央陰刻圓圈,兩側飾有圓角長方形凸框,內填卷雲紋,位置近於下角。由角上觀之,圓圈與凸框形似目與口。上下層以細槽分隔,下層兩相對之角各雕一面具,雙目呈橢圓形,中間凹陷,內飾渦紋;其下為一長方形框格,內亦飾卷雲紋。雙目之間另加陰刻卷雲及線紋。玉質因埋藏而呈不透明狀。</p><p class="ql-block"> 類似例件見Filippo Salviati'《Radiant Stones:Archaic Chinese Jades》,2000年,第16件;鄧,《國立故宮博物院藏新石器時代玉器》,台北,1993年,第127與137頁,編號26及37。</p> <p class="ql-block">  The tubular bead carved in square section with slightly curved sides. The ends of the bead with short circular collars, giving the bead the form of a two-tiered miniature cong. The top of the upper register carved with an incised scroll band between two bands of raised horizontal fillets, above incised circles centering each side with raised rounded rectangular panels enclosing scroll motifs at the lower corners. The circles and raised panels appearing like eyes and mouths when viewed from the corners. The lower register separated from the upper by a narrow groove, and carved with a stylized mask at each of two opposing corners. The mask with large ovoid eyes separated by an oval depression carved with a swirl motif above a rectangular panel with scroll motifs. The space between the eyes further decorated with incised scrolls and lines. The stone rendered opaque due to burial.</p><p class="ql-block"> Similar examples are illustrated in Filippo Salviati, Radiant Stones: Archaic Chinese Jades, 2000, no. 16, and Teng Shu-p'ing, Neolithic Jades in the Collection of the National Palace Museum, Taipei, 1993, pp.127 & 137, nos. 26 & 37.</p> <p class="ql-block" style="text-align:center;"><b>文献源于:芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>