<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（十二）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block" style="text-align:center;"><b>012</b></p><p class="ql-block" style="text-align:center;"><b>A STRAND OF MOTTLED</b></p><p class="ql-block" style="text-align:center;"><b> IVORY-COLORED</b></p><p class="ql-block" style="text-align:center;"><b>OPAQUE JADE BEADS</b></p><p class="ql-block" style="text-align:center;"><b>新石器時代/良渚文化 玉管項飾</b></p><p class="ql-block" style="text-align:center;">Neolithic Period / Liangzhu Culture</p><p class="ql-block" style="text-align:center;">Length 27.8 cm.</p> <p class="ql-block"> 這件作品由二十七顆獨立雕琢的珠子組成，採用束腰圓柱形與截錐形交替排列，營造出富有節奏感且整體協調的精緻結構。珠子串聯成一體化的序列，形制之間略有變化——細微的收放與曲線轉折——賦予整體自然流動的韻律感。</p><p class="ql-block"> 經長期自然氧化與埋藏後，玉石表面呈現溫潤的乳白色不透明包漿，色調柔和而內斂。此種淺色並非單一均勻，而是均勻分布著細緻的灰色與黃色礦物內含物，使整體更具層次感、個性與地質生成的歷史痕跡。</p> <p class="ql-block"> Composed of twenty-seven individually carved beads, this piece alternates waisted cylindrical and truncated conical forms to create a rhythmic, cohesive arrangement of refined craftsmanship. Strung together, the beads form a unified sequence, with subtle variations in shape-gentle tapers and contours-imparting a natural sense of movement.</p><p class="ql-block"> After prolonged natural aging, the stone has acquired a warm, opaque ivory patina, soft and understated in tone. This pale hue, neither uniform nor stark, incorporates fine grey and yellow mineral inclusions evenly distributed throughout, adding depth, individuality, and traces of its geological origins.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>