<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（十）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block" style="text-align:center;"><b>010</b></p><p class="ql-block" style="text-align:center;"><b>AN EXCEPTIONALLY RARE YELLOW</b></p><p class="ql-block" style="text-align:center;"><b> JADE FIGURE HEADE </b></p><p class="ql-block" style="text-align:center;"><b>BIRD-FORM PENDANT</b></p><p class="ql-block" style="text-align:center;"><b>新石器時代/紅山文化 </b></p><p class="ql-block" style="text-align:center;"><b>青黃玉人物鳥形珮</b></p><p class="ql-block" style="text-align:center;">Neolithic Period / Hongshan Culture</p><p class="ql-block" style="text-align:center;">Height 8 cm.</p> <p class="ql-block"> 此扁平墜飾以簡略手法雕作一具展翅人鳥形象，外輪廓洗鍊而富表現力。雙翼張展，翼緣以平行陰線刻劃羽紋，營造出富節奏感的紋理與動勢。中央小首略具人形特徵，眉、目、鼻、口隱約可辨，將鳥形與人形元素融合為一種象徵性的複合形象。整體構圖對稱而風格化，重在抽象表現而非寫實再現。</p><p class="ql-block"> 材質呈半透明質地，內含柔和如雲霧般的白色內沁，為器表增添細膩層次與空靈質感。可參見一件尺寸相近、但未作人首雕飾之例，出版於鄧淑蘋，《國立故宮博物院藏新石器時代玉器》，台北，1993年，頁128，圖版27。</p> <p class="ql-block"> The flattened pendant is rudimentary carved as an anthropomorphic bird with outspread wings, forming a simplified yet expressive silhouette. Wing edges are incised with parallel lines denoting feathers, imparting rhythmic texture and a sense of dynamic spread. At the center, a small head bears vaguely human features- eyebrows, eyes, nose, and mouth-blending avian and anthropomorphic traits into a hybrid symbolic figure. The balanced, stylized composition prioritizes abstraction over naturalism. The translucent stone features soft, cloudy white inclusions, lending subtle depth and an ethereal surface quality.</p><p class="ql-block"> An example of similar size, but without the carving of a human head, is published in Teng Shu-p'ing, Neolithic Jades in the Collection of the National Palace Museum, Taipei, 1993, p. 128, no. 27.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>