<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（七）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block" style="text-align:center;"><b>007</b></p><p class="ql-block" style="text-align:center;"><b>A GREEN AND BROWN JADE</b></p><p class="ql-block" style="text-align:center;"><b>TOOTHED ANIMAL MASK ORNAMENT</b></p><p class="ql-block" style="text-align:center;"><b>新石器時代/紅山文化 </b></p><p class="ql-block" style="text-align:center;"><b>青褐玉勾雲齒形獸面紋珮</b></p><p class="ql-block" style="text-align:center;">Neolithic Period / Hongshan Culture</p><p class="ql-block" style="text-align:center;">Length 12 cm.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p> <p class="ql-block"> 這是一件構思精緻的新石器時代玉璧式飾件描述，呈現出中國古代玉器中典型的饕餮獸面紋樣。我已將其潤飾為專業圖錄式文字，在保留學術語氣的同時，強化表述的精準度與流暢性，並突顯其藝術與文化意涵。</p><p class="ql-block"> 一件扁平玉飾，兩面皆以細緻陰刻線條精工雕琢，並穿孔構成抽象化的饕餮獸面紋樣。彎曲的眉弓誇張地拱起於圓形雙目之上，呈現出威嚴凝視的視覺效果。下緣排列八顆緊密相接的雙尖齒，其間以向內捲曲的獠牙相隔，使整體造型更具張力與深度。上緣中央設有精準鑽出的懸掛孔，位於一對風格化耳部之間，其上覆以流蘇狀飾帶，進一步強化其裝飾性與禮儀象徵意涵。整體構圖對稱均衡，線條流暢而不失嚴謹，展現出卓越工藝所體現的節制美感。</p><p class="ql-block"> 深綠色玉材帶有自然褐色斑駁紋理，表面經細緻抛光，散發出古意、典雅與內斂權威之感。類似器物見楊伯達，《關氏收藏中國古玉》，香港，1994年，編號6。</p> <p class="ql-block"> This is a finely crafted description of a Neolithic jade plaque, evoking the iconic taotie (animal-mask) motif typical of ancient Chinese jades. I've refined it into professional catalog copy-tightened phrasing or precision, enhanced flow, and preserved scholarly tone while emphasizing artistic and cultura significance.</p><p class="ql-block"> A flat jade plaque, intricately carved in fine incised lines on both sides and pierced to form a stylized taotie animal-mask motif. Curved brows arch dramatically above circular eyes, conveying a commanding gaze. The lower edge features eight closely spaced bicuspid teeth flanked by inwardly curving fangs, heightening the design's tension and depth. At the upper edge, a precisely drilled suspension hole sits between stylized ears, topped by a fringed ruff that amplifies the piece's decorative and ritual symbolism. Symmetrical and balanced, the composition showcases fluid yet disciplined line work indicative of exceptional craftsmanship. The deep green stone, with natural brown mottling and a smooth polish, evokes antiquity, refinement, and quiet authority.</p><p class="ql-block"> A similar ornament is illustrated by Yang Boda, Chinese Archaic Jades from the Kwan Collection, Hong Kong, 1994, no. 6.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>