<p class="ql-block">编辑：旭东 顺喜 铭台 刊发：旭东</p> <p class="ql-block" style="text-align:center;"><b style="font-size:20px;">首先致谢</b></p><p class="ql-block" style="text-align:center;"><b>梅英明先生 Jeffrey May</b></p><p class="ql-block" style="text-align:center;">美国芝加哥亚洲艺术遗产博物馆创始人</p><p class="ql-block" style="text-align:center;"><b>汪涛 博士 Dr. Tao Wang</b></p><p class="ql-block" style="text-align:center;">芝加哥艺术博物馆亚洲拓展事务执行总裁</p><p class="ql-block" style="text-align:center;">亚洲艺术部普利兹克专席主任</p><p class="ql-block" style="text-align:center;">中国艺术总策展人</p> <p class="ql-block" style="text-align:center;"><b>芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>经典藏品（六）</b></p><p class="ql-block" style="text-align:center;">哈图｜整理</p> <p class="ql-block" style="text-align:center;"><b>006</b></p><p class="ql-block" style="text-align:center;"><b>A LARGE NEOLITHIC GREEN JADE </b></p><p class="ql-block" style="text-align:center;"><b>TOOTHED ANIMAL MASK ORNAMENT</b></p><p class="ql-block" style="text-align:center;">新石器時代/紅山文化 </p><p class="ql-block" style="text-align:center;"><b>青褐玉勾雲齒形獸面紋珮</b></p><p class="ql-block">Neolithic Period / Hongshan Culture</p><p class="ql-block" style="text-align:center;">Length 19.4 cm.</p> <p class="ql-block"> 矩形玉飾，角圓，雙面雕刻並穿孔。凸起的雕線勾勒獸面，中央兩眼置於拱形眉上方，下緣刻五顆雙尖牙。中央特徵兩側，上方有向內彎曲的角，下方有向內彎曲的牙，兩者之間以一對伸展的耳分隔。上緣中央鑽有小孔以便懸掛。玉質光潤，呈深綠色，間有褐色斑紋。</p><p class="ql-block"> 一件類似器物僅雕刻單面，藏於弗利爾藝術館，藏品號F1991.52。弗利爾藝術館在討論此件時指出，此類飾件不僅是裝飾品。所有出土於墓葬中，安置於顯要部位，極可能是紅山文化精英階層的權力與身份象徵。其此件器物的線描圖見於鄧淑蘋編，《古玉菁華一歷代玉器收藏展》，台北故宮博物院，1999年，第14頁，圖5:2。</p> <p class="ql-block"> Of rectangular outline with rounded Carved raised lines delineate an animal mask with two eyes above and row of five bicuspid teeth at the lower edge. The ked ving horns above, and inward curving fangs below, separated by a pair of extended ears the upper edge pierced with a small hole for suspension. The lustrous stone mottled dark gr rown. </p><p class="ql-block"> A similar example, but carved on only one side, is in the Freer Gallery of Art Collection, accession number F1991.52. In its discussion on this piece, the Freer Gallery notes that such ornaments appear to be more than mere decorations. They were all excavated from burial sites, found on prominent locations of the body, and are most likely power and status symbols for clitc members of the Hongshan community. A line drawing of this picce in the Freer Gallery is illustrated in Teng Shu-p'ing, Collectors' Exhibition of Archaic Chinese Jades, National Palacc Museum, Taipei, 1999, p. 14, fig. 5:2.</p> <p class="ql-block" style="text-align:center;"><b>文献源于：芝加哥亚洲艺术遗产博物馆</b></p><p class="ql-block" style="text-align:center;"><b>《鸟兽与礼器》</b></p>