我的CD珍藏：莫扎特管乐小夜曲

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<p class="ql-block">MOZART</p><p class="ql-block">莫扎特</p><p class="ql-block">WIND SERENADES</p><p class="ql-block">管乐小夜曲</p><p class="ql-block">Orchester der Beethovenhalle Bonn</p><p class="ql-block">波恩贝多芬音乐厅乐团</p><p class="ql-block">Dennis Russell Davies</p><p class="ql-block">丹尼斯•拉塞尔•戴维斯</p><p class="ql-block">MUSICAL HERITAGE SOCIETY</p><p class="ql-block">音乐遗产协会</p> <p class="ql-block">Wolfgang Amadeus Mozart (1756‑1791)</p><p class="ql-block">沃尔夫冈·阿马德乌斯·莫扎特（1756‑1791）</p><p class="ql-block">Serenade in C Minor, K. 388</p><p class="ql-block">C小调小夜曲，作品K.388</p><p class="ql-block">① Allegro (7:52)</p><p class="ql-block">快板 7分52秒</p><p class="ql-block">② Andante (3:50)</p><p class="ql-block">行板 3分50秒</p><p class="ql-block">③ Minuetto in canone (4:25)</p><p class="ql-block">卡农式小步舞曲 4分25秒</p><p class="ql-block">④ Allegro (6:05)</p><p class="ql-block">快板 6分05秒</p><p class="ql-block">Serenade in E flat for Eight Winds, K. 375</p><p class="ql-block">降E大调八管乐小夜曲，K.375</p><p class="ql-block">⑤ Allegro maestoso (7:33)</p><p class="ql-block">庄严的快板 7分33秒</p><p class="ql-block">⑥ Menuetto 1 (4:18)</p><p class="ql-block">小步舞曲Ⅰ 4分18秒</p><p class="ql-block">⑦ Adagio (5:50)</p><p class="ql-block">柔板 5分50秒</p><p class="ql-block">⑧ Menuetto 2 (5:08)</p><p class="ql-block">小步舞曲Ⅱ 5分08秒</p><p class="ql-block">⑨ Allegro (3:43)</p><p class="ql-block">快板 3分43秒</p><p class="ql-block">Serenade in E flat for Six Winds, K. 375</p><p class="ql-block">降E大调六管乐小夜曲，K.375</p><p class="ql-block">⑩ Allegro maestoso (10:27)</p><p class="ql-block">庄严的快板 10分27秒</p><p class="ql-block">⑪ Menuetto 1 (4:20)</p><p class="ql-block">小步舞曲Ⅰ 4分20秒</p><p class="ql-block">⑫ Adagio (5:37)</p><p class="ql-block">柔板 5分37秒</p><p class="ql-block">⑬ Menuetto 2 (3:07)</p><p class="ql-block">小步舞曲Ⅱ 3分07秒</p><p class="ql-block">⑭ Allegro (3:32)</p><p class="ql-block">快板 3分32秒</p><p class="ql-block">Orchester der Beethovenhalle Bonn</p><p class="ql-block">波恩贝多芬音乐厅乐团</p><p class="ql-block">Dennis Russell Davies, conductor</p><p class="ql-block">丹尼斯·拉塞尔·戴维斯，指挥</p><p class="ql-block">Klaus Reiet, Volker Kriegsmann, oboe</p><p class="ql-block">克劳斯·赖特、沃尔克·克里格斯曼，双簧管</p><p class="ql-block">Diethelm Adorf, Matthias Schuler, clarinet</p><p class="ql-block">迪特尔姆·阿多夫、马蒂亚斯·舒勒，单簧管</p><p class="ql-block">Wolfgang Sorge, Heinz Draquhn, bassoon</p><p class="ql-block">沃尔夫冈·佐尔格、海因茨·德拉昆，大管</p><p class="ql-block">Gustav Kedves, Regine Weitbrecht, horn</p><p class="ql-block">古斯塔夫·凯德韦斯、蕾吉娜·魏特布雷希特，圆号</p><p class="ql-block">Klaus Holtmann, contrabass</p><p class="ql-block">克劳斯·霍尔特曼，低音提琴</p> <p class="ql-block">The Serenades K. 375 and K. 388 are among Mozart’s most impressive achievements, rivaling even the last great symphonies in their originality and expressive power.</p><p class="ql-block">K.375与K.388这两部小夜曲，属于莫扎特最杰出的作品，其独创性与表现力，足以比肩他晚期伟大交响曲。</p><p class="ql-block">Yet the average concertgoer rarely encounters them, due most certainly to an instrumentation which no longer fits the normal mode of either orchestral or chamber music programs.</p><p class="ql-block">但普通音乐会听众很少听到它们，主要是因为配器编制，已经不再适配常规交响或室内乐音乐会的节目编排。</p><p class="ql-block">Having studied and conducted these Serenades as well as the Gran Partita K. 361 (370A) regularly over the past twenty years, it occurred to me one reason for the Gran Partita’s success in comparison to its companion Serenades was an acoustical one, the essential difference being the depth and weight brought to the Gran Partita by Mozart’s use of a contrabass voice.</p><p class="ql-block">过去二十年间，我研习并频繁指挥这几部小夜曲，也经常指挥《大帕蒂塔》K.361（370A）。我意识到，相较于同类型的小夜曲，《大帕蒂塔》之所以更受欢迎，声学层面是一大关键；核心区别就在于莫扎特使用低音提琴声部，为《大帕蒂塔》赋予了厚重深沉的底色。</p><p class="ql-block">I decided for this recording to add a contrabass voice to the wind octets, using Mozart’s bass part in the Gran Partita as a model.</p><p class="ql-block">本次录音，我决定为管乐八重奏版本增加低音提琴声部，以莫扎特《大帕蒂塔》的低音声部作为范本。</p><p class="ql-block">In these performances the contrabass selectively doubles the second bassoon, or occasionally one of the French horns.</p><p class="ql-block">本次演绎中，低音提琴选择性地叠加第二大管，偶尔也叠加其中一支圆号。</p><p class="ql-block">The result I find to be a subtle but significant acoustical enhancement, one which would benefit nearly every acoustical environment.</p><p class="ql-block">我认为这样处理带来微妙但效果显著的声学增益，几乎适配各类演出声学环境。</p><p class="ql-block">In the sextet version of K. 375, the listener has the opportunity to enjoy not only the contrasts in Mozart’s instrumental style with that of the octet version, but also to appreciate the acoustical difference without the added bass voice.</p><p class="ql-block">在K.375的六重奏版本里，听众既可以感受莫扎特八重奏与六重奏配器风格的对比，也可以体会没有叠加低音提琴时的原生声学效果。</p><p class="ql-block">These performances are based on the New Mozart Edition from Bärenreiter.</p><p class="ql-block">本录音演奏文本，依据拜罗伊特出版社的《新莫扎特全集》。</p><p class="ql-block">—Dennis Russell Davies</p><p class="ql-block">——丹尼斯·拉塞尔·戴维斯</p><p class="ql-block">注释：Gran Partita《大帕蒂塔》；Bärenreiter 拜罗伊特，德国权威古典音乐出版社；K为莫扎特作品编号。</p> <p class="ql-block">CD封底 中英逐行对照</p><p class="ql-block">WOLFGANG AMADEUS MOZART</p><p class="ql-block">沃尔夫冈·阿马德乌斯·莫扎特</p><p class="ql-block">1756‑1791</p><p class="ql-block">Serenade in C Minor, K. 388</p><p class="ql-block">C小调小夜曲，K.388</p><p class="ql-block">① Allegro (7:52) 快板 7分52秒</p><p class="ql-block">② Andante (3:50) 行板 3分50秒</p><p class="ql-block">③ Minuetto in canone (4:25) 卡农式小步舞曲 4分25秒</p><p class="ql-block">④ Allegro (6:05) 快板 6分05秒</p><p class="ql-block">Serenade in E flat for Eight Winds, K. 375</p><p class="ql-block">降E大调八管乐小夜曲，K.375</p><p class="ql-block">⑤ Allegro maestoso (7:33) 庄严的快板 7分33秒</p><p class="ql-block">⑥ Menuetto 1 (4:18) 小步舞曲Ⅰ 4分18秒</p><p class="ql-block">⑦ Adagio (5:50) 柔板 5分50秒</p><p class="ql-block">⑧ Menuetto 2 (3:08) 小步舞曲Ⅱ 3分08秒</p><p class="ql-block">⑨ Allegro (3:43) 快板 3分43秒</p><p class="ql-block">Serenade in E flat for Six Winds, K. 375</p><p class="ql-block">降E大调六管乐小夜曲，K.375</p><p class="ql-block">⑩ Allegro maestoso (10:27) 庄严的快板 10分27秒</p><p class="ql-block">⑪ Menuetto 1 (4:20) 小步舞曲Ⅰ 4分20秒</p><p class="ql-block">⑫ Adagio (5:37) 柔板 5分37秒</p><p class="ql-block">⑬ Menuetto 2 (3:07) 小步舞曲Ⅱ 3分07秒</p><p class="ql-block">⑭ Allegro (3:32) 快板 3分32秒</p><p class="ql-block">Orchester der Beethovenhalle Bonn</p><p class="ql-block">波恩贝多芬音乐厅乐团</p><p class="ql-block">Dennis Russell Davies, conductor</p><p class="ql-block">丹尼斯·拉塞尔·戴维斯，指挥</p><p class="ql-block">Klaus Reiet, Volker Kriegsmann, oboe</p><p class="ql-block">克劳斯·赖特、沃尔克·克里格斯曼，双簧管</p><p class="ql-block">Diethelm Adorf, Matthias Schuler, clarinet</p><p class="ql-block">迪特尔姆·阿多夫、马蒂亚斯·舒勒，单簧管</p><p class="ql-block">Wolfgang Sorge, Heinz Draguhn, bassoon</p><p class="ql-block">沃尔夫冈·佐尔格、海因茨·德拉贡，大管</p><p class="ql-block">Gustav Kedves, Regine Weitbrecht, horn</p><p class="ql-block">古斯塔夫·凯德韦斯、蕾吉娜·魏特布雷希特，圆号</p><p class="ql-block">Klaus Holtmann, contrabass</p><p class="ql-block">克劳斯·霍尔特曼，低音提琴</p><p class="ql-block">右上角</p><p class="ql-block">MUSICAL HERITAGE SOCIETY</p><p class="ql-block">音乐遗产协会</p><p class="ql-block">Total Time 74:28</p><p class="ql-block">总时长：74分28秒</p><p class="ql-block">compact disc digital audio</p><p class="ql-block">CD数字音频</p><p class="ql-block">编号：514177Z</p><p class="ql-block">Produced and engineered by Gregory K. Squires</p><p class="ql-block">制作与录音工程师：格雷戈里·K·斯奎尔斯</p><p class="ql-block">Digital editing by Wayne Hileman</p><p class="ql-block">数字剪辑：韦恩·希勒曼</p><p class="ql-block">℗ 1996 Amerco, Inc.</p><p class="ql-block">© 1996 Musical Heritage Society, Inc.,</p><p class="ql-block">1710 Highway 35, Oakhurst, NJ 07755</p><p class="ql-block">版权：1996 美国Amerco公司；1996音乐遗产协会，新泽西州奥克赫斯特，35号公路1710号，邮编07755</p><p class="ql-block">Made in the USA</p><p class="ql-block">美国制造</p><p class="ql-block">WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.</p><p class="ql-block">警告：版权所有。未经授权复制，将触犯相关法律。</p><p class="ql-block">条形码数字：7 1779‑44177‑2 2</p>