【中国·艺术现象学沙龙】继续招募专家、学者、艺术家公告

孙榕宁

【中国·艺术现象学沙龙】继续招募专家、学者、艺术家公告

Announcement: Ongoing Recruitment of Experts, Scholars and Artists

— China Phenomenology of Art Salon

【中国·艺术现象学沙龙】自组建以来，得到了全国、及海外学术畀、艺术界的广泛关注。目前沙龙核心团队成员来自全国及国际多所院校的、博导、博士后、博士、专家、教授！及资深艺术家！影响力逐渐扩大。

“境像表现主义”理论作为【中国·艺术现象学沙龙】的阶段性研究成果，阐释了从传统现象学艺术到后现象学艺术的建构路径，主张艺术（包括绘画）应超越传统再现与表现，应通过“境像还原”方法让视觉经验在身体与媒介的交互中自然显现，核心概念包括“肉身境像”“媒介境像”等，特别关注数字时代视觉的媒介化特征。“境像表现主义”延续了梅洛庞蒂现象学的肉身性思想，同时吸收了马里翁给予性理论，为当代艺术创作开避“关系性境像”的生成过程铺平了理论道路。而近期沙龙国际专业策展团队所策展的【首届“境像表现主义”国际网络展】（作品征集正在进行中）正是这一理论与实践的契合开端。

https://mp.weixin.qq.com/s/62W-EKC6rplHQPPLzGq46A

【中国·艺术现象学沙龙】作为中国体制外唯一的以艺术现象学、现象学美学、后现象学艺术（含绘画）为研究、探索、实践对象的沙龙群体，自2026年2月25日初建后便聚集了全国各地多所高校的在上述研究领域的相关学者、专家、教授、博导、博士后、博士、跨学科人士。

现象学理论自上世纪初由德国哲学家胡塞尔创立以来，经海德格尔转向存在论；在法国哲学中结出最丰硕的果实（萨特、梅洛-庞蒂、列维纳斯），并持续辐射至解释学、解构主义及当代科学哲学等领域，形成了一个庞大而富有生命力的思想谱系。

现象学在20世纪20年代开始被零星引入中国，但直到20世纪60年代以后才逐步有系统的中文著述，并在1978年改革开放后真正迎来广泛传播和深入研究，最终成为当代中国哲学与人文学科的重要思想资源及显学。

【中国·艺术现象学沙龙】作为中国体制外唯一的以现象学艺术与后现象学艺术为研究对象的沙龙，正在逐步成为这一领域的新兴推动力量！为了更好的建构这支力量，【中国·艺术现象学沙龙】需要吸纳精英学者、资深当代艺术家的加盟！同时也需吸纳资深策展人、展示、画廊运营者等有识之士的文化界学者的加盟！

为此，【中国·艺术现象学沙龙】向全国发起招募令，公开招募：艺术现象学研究领域的专家、学者；现象学艺术与后现象学艺术的资深当代艺术家；资深策展人、资深展示、画廓运营者、文化界学者的加盟与支持！

加盟人士请提供艺术简历、学术简历，发送邮箱：[e-mail]. 或联系微信：srn15995772328

Announcement: Ongoing Recruitment of Experts, Scholars and Artists

— China Phenomenology of Art Salon

Since its establishment, China Phenomenology of Art Salon has garnered widespread attention from academic and art circles at home and overseas. At present, the core team of the salon consists of doctoral supervisors, postdoctoral researchers, doctors, experts, professors and senior artists from numerous domestic and international institutions, with its influence expanding steadily.

As a phased research achievement of China Phenomenology of Art Salon, the theory of Imago-Expressionism illustrates the constructive path from traditional phenomenological art to post-phenomenological art. It advocates that art (including painting) should transcend traditional representation and . Through the method of "imago restoration", visual experience emerges naturally from the interaction between the body and media. Its core concepts encompass "corporeal imago" and "media imago", with a particular focus on the mediatized characteristics of vision in the digital age.

Inheriting the embodied thought of Maurice Merleau-Ponty’s phenomenology and integrating Jean-Luc Marion’s theory of givenness, Imago-Expressionism paves a solid theoretical foundation for the generative process of "relational imago" in contemporary artistic creation. The upcoming Inaugural International Online Exhibition of "Imago-Expressionism", curated by the salon’s international professional curatorial team and currently open for submissions, marks the pivotal starting point for the integration of this theory and artistic practice.

As the only non-institutional academic community in China dedicated to the research, exploration and practice of art phenomenology, phenomenological aesthetics, and post-phenomenological art (including painting), the China Phenomenology of Art Salon was founded on February 25, 2026. Since its establishment, it has gathered interdisciplinary researchers nationwide, including scholars, experts, professors, doctoral supervisors, postdoctoral fellows and doctors from various universities across the country.

First established by the German philosopher Edmund Husserl at the beginning of the last century, phenomenology underwent an ontological turn with Martin Heidegger. It achieved its most fruitful development in French philosophy, represented by Jean-Paul Sartre, Maurice Merleau-Ponty and Emmanuel Levinas. Continuously expanding to hermeneutics, deconstruction, contemporary philosophy of science and other fields, phenomenology has evolved into a vast and vigorous ideological lineage.

Phenomenology was sporadically introduced into China in the 1920s. Systematic Chinese publications gradually emerged after the 1960s. Following China’s reform and opening-up in 1978, it gained widespread dissemination and in-depth research, eventually becoming a vital intellectual resource and a prominent discipline within contemporary Chinese philosophy and humanities.

As the country’s sole non-institutional salon focusing on phenomenological art and post-phenomenological art, the China Phenomenology of Art Salon is steadily emerging as a driving force in this field. To further consolidate and develop this community, the Salon sincerely invites elite scholars and senior contemporary artists to join us. We also welcome seasoned curators, exhibition practitioners, gallery operators and other distinguished cultural professionals.

Accordingly, the China Phenomenology of Art Salon issues a national open call for recruitment, seeking the participation and support of:

• Experts and scholars engaged in art phenomenology research;

• Senior contemporary artists committed to phenomenological and post-phenomenological art;

• Experienced curators, exhibition planners, gallery operators and cultural scholars.

Applicants are requested to submit their artistic or academic resumes to the email: [e-mail], or contact via WeChat: srn15995772328.