天垂象派，新中式文化理论视域下的当代艺术范式重构

AAbc原创 / 中国藝術&线上國际

从文化根系到艺术新诠释在全球化与本土化交织的当代艺术语境中，李刚•艺禅先生提出的"天垂象派"理论，犹如一把钥匙，开启了重新审视中国艺术现代性转化的新维度。这一理论体系根植于对中国传统文化的深度解构与创新性重构，既非对古典图式的简单复刻，亦非对西方现代主义的盲目追随，而是在学院派艺术训练的基底上，历经十年对中国文化精神的系统性思辨，形成的从理论到实践的完整艺术学派。 吉祥文字／艺禅画符作品／天人合一材质／布上丙烯尺寸／1.50X1.90 From cultural roots to new interpretations of artIn the contemporary art context where globalization and localization are intertwined, Mr. Li Gang Yichan's theory of the "Tian Chuxiang School" is like a key, opening up a new dimension for re examining the transformation of Chinese art modernity. This theoretical system is rooted in the deep deconstruction and innovative reconstruction of traditional Chinese culture. It is neither a simple replica of classical patterns nor a blind pursuit of Western modernism. Instead, it is a complete art school formed on the basis of academic art training and ten years of systematic speculation on the spirit of Chinese culture, from theory to practice. 吉祥文字／艺禅画符作品／本自具足材质／布上丙烯尺寸／1.50X1.90 "天垂象"语出《周易·系辞上》"天垂象，见吉凶，圣人象之"，其核心在于将宇宙自然的运行规律视为艺术创作的终极原型。李刚•艺禅将这一哲学命题转化为艺术方法论，主张通过对"象"的捕捉与重构，实现人文精神与宇宙本体的对话。这种"象"既包含敦煌石窟壁画中色彩斑斓的视觉图式——那些跨越千年的矿物质颜料层积的不仅是艺术技法，更是中华民族对神性世界的想象性表达；也涵盖甲骨文书体中蕴含的符号密码——作为中华文明最早的系统性文字，甲骨文的象形特质与抽象精神，为当代艺术提供了原生性的视觉基因。 吉祥文字／艺禅画符作品／上善若水材质／布上丙烯尺寸／1.50X1.90 The phrase "Tian Chui Xiang" originated from the Book of Changes, "Xi Ci Shang". "Tian Chui Xiang, seeing good or bad, is like a sage's image". Its core lies in viewing the natural laws of the universe as the ultimate prototype for artistic creation. Li Gang Yichan transformed this philosophical proposition into an artistic methodology, advocating for a dialogue between humanistic spirit and the essence of the universe through the capture and reconstruction of "images". This kind of "elephant" not only contains the colorful visual patterns in the Dunhuang grotto murals - those mineral pigments that span thousands of years are not only artistic techniques, but also the imaginative expression of the divine world by the Chinese nation; It also covers the symbol codes contained in the oracle bone script - as the earliest systematic writing of Chinese civilization, the pictographic characteristics and abstract spirit of oracle bone script provide the original visual genes for contemporary art. 吉祥百家／一禅画符作品／凤氏材质／布上丙烯尺寸／0.50X0.60 符号转译与视觉突围在创作维度，李刚•艺禅的实践呈现出鲜明的跨维度特征。一方面，他从敦煌壁画的色彩构成中提取东方美学的色谱密码，突破传统水墨的黑白体系，将石青、石绿、朱砂等矿物色与现代绘画媒介结合，在他的诸多作品中构建出既具历史纵深感又具当代视觉张力的色彩场域。这种色彩运用并非对敦煌图式的简单挪用，而是通过色域分割、块面碰撞，完成从"宗教叙事"到"哲学思辨"的语义转换。 吉祥百家／一禅画符作品／华氏材质／布上丙烯尺寸／0.50X0.60 Symbol Translation and Visual BreakthroughIn terms of creative dimension, Li Gang's practice of Yi Chan exhibits distinct cross dimensional characteristics. On the one hand, he extracted the color code of Eastern aesthetics from the color composition of Dunhuang murals, breaking through the traditional black and white system of ink painting, combining mineral colors such as stone green, cinnabar, etc. with modern painting media, and constructing a color field that is both historically profound and contemporary visually tense in his many works. This use of color is not a simple appropriation of Dunhuang patterns, but rather a semantic transformation from "religious narrative" to "philosophical speculation" through color gamut segmentation and block collision. 伏羲八卦／艺禅彩绘作品／乾卦（天）材质／布上丙烯尺寸／1.50X1.50 另一方面，他对西方现代主义抽象传统进行创造性转化。马列维奇的至上主义、康定斯基的冷抽象、蒙特里安的新造型主义，在其艺术轨迹中并非作为模仿对象，而是成为激活本土符号的催化剂。以《甲骨文上的文明》系列为例，艺术家将甲骨文字符从历史语境中剥离，通过解构其象形结构，转化为具有构成主义特征的视觉符号。在"吉祥百家姓"系列中，"赵钱孙李"等姓氏文字被重构为兼具文字学考据价值与现代设计感的"艺禅画符"，一百多幅作品形成庞大的符号矩阵，既呼应了蒙特里安对基本元素的极致简化，又深度激活了汉字作为"表意符号"的文化基因。 伏羲八卦／艺禅彩绘作品／坤卦（地）材质／布上丙烯尺寸／1.50X1.50 On the other hand, he creatively transformed the abstract tradition of Western modernism. Malevich's Supremacy, Kandinsky's Cold Abstraction, and Monterian's New Stylism are not objects of imitation in their artistic trajectory, but rather serve as catalysts for activating local symbols. Taking the "Civilization on Oracle Bones" series as an example, the artist removes the characters of Oracle Bones from their historical context, deconstructs their pictographic structures, and transforms them into visual symbols with constructivist characteristics. In the "Lucky Hundred Family Surnames" series, surnames such as "Zhao Qian Sun Li" have been reconstructed into "artistic Zen painting symbols" that combine textual research value with modern design sense. More than 100 works form a huge symbol matrix, which not only echoes Montellian's ultimate simplification of basic elements, but also deeply activates the cultural gene of Chinese characters as "ideographic symbols". 伏羲八卦／艺禅彩绘作品／坎卦（水）材质／布上丙烯尺寸／1.50X1.50 伏羲八卦系列作品则是东方哲学与当代艺术语言融合的典范。艺术家以"乾、坤、坎、离"等卦象为原型，通过几何化的图式重构与饱和色彩的碰撞，将传统易学的抽象思维转化为具有强烈视觉冲击力的当代艺术符号。这种创作路径打破了"传统符号=陈旧表达"的认知定式，证明古老智慧在当代艺术语境中仍具有鲜活的阐释可能。 伏羲八卦／艺禅彩绘作品／离卦（火）材质／布上丙烯尺寸／1.50X1.50 The Fuxi Bagua series of works is a model of the integration of Eastern philosophy and contemporary artistic language. The artist uses hexagrams such as "Qian, Kun, Kan, and Li" as prototypes, and through geometric pattern reconstruction and the collision of saturated colors, transforms the abstract thinking of traditional learning into contemporary art symbols with strong visual impact. This creative path breaks the cognitive stereotype of "traditional symbols=outdated expressions" and proves that ancient wisdom still has fresh interpretation possibilities in the context of contemporary art. 吉祥文化／艺禅画符作品／境由心转材质／布上丙烯尺寸／1.50X1.90 当代艺术的本土化路径探索"天垂象派"的理论与实践，为中国当代艺术的本土化建构提供了三重启示：其一，在文化基因的激活层面，该学派突破了"传统/现代""东方/西方"的二元对立框架，证明传统文化资源并非惰性存在，而是可以通过创造性转化成为现代艺术的活水源头。甲骨文字符的当代转译、敦煌色彩的解构重组，均表明本土符号系统具有强大的再生能力，关键在于找到传统精神与现代语言的"转译密码"。 吉祥文化／艺禅画符作品／问天1号材质／布上丙烯尺寸／1.50X1.90 Exploration of the Localization Path of Contemporary ArtThe theory and practice of the "Tian Chui Xiang School" provide three inspirations for the localization construction of contemporary Chinese art:Firstly, at the level of activating cultural genes, this school breaks through the binary opposition framework of "traditional/modern" and "Eastern/Western", proving that traditional cultural resources do not exist passively, but can be creatively transformed into the source of modern art. The contemporary translation of oracle bone script characters and the deconstruction and reorganization of Dunhuang colors indicate that the local symbol system has a strong regenerative ability, and the key lies in finding the "translation code" between traditional spirit and modern language. 吉祥文化／艺禅画符作品／格物致知材质／布上丙烯尺寸／1.50X1.90 其二，在艺术语言的创新层面，李刚•艺禅的实践揭示了一条"从符号到抽象"的创作路径。区别于西方抽象艺术的"形式自律"，其作品中的抽象形态始终与文化符号保持着深层关联，如《格物致知》《天人合一》等文字系列，将哲学概念转化为视觉隐喻，在抽象与具象之间开辟了"第三空间"，为中国抽象艺术的本土化提供了新样本。 吉祥文化／艺禅画符作品／山河大地是如来材质／布上丙烯尺寸／1.50X1.90 Secondly, in terms of innovative artistic language, Li Gang's practice of Yi Chan reveals a creative path from symbols to abstraction. Different from the "formal self-discipline" of Western abstract art, the abstract forms in its works always maintain deep connections with cultural symbols, such as the text series "Exploring Things to Achieve Knowledge" and "Harmony of Heaven and Man", which transform philosophical concepts into visual metaphors and open up a "third space" between abstraction and concreteness, providing new samples for the localization of Chinese abstract art. 吉祥百家／一禅画符作品／史氏材质／布上丙烯尺寸／0.50X0.60 其三，在艺术史叙事层面，"天垂象派"的提出挑战了以西方现代主义为中心的艺术史书写逻辑。长期以来，中国当代艺术的评价体系深陷"接轨国际"的迷思，而该学派通过构建独立的理论话语与创作体系，证明非西方艺术完全可以在保持文化主体性的前提下实现现代性突破。这种突破不是对西方艺术的对抗性叙事，而是以平等姿态参与全球艺术对话的建设性实践。 吉祥百家／一禅画符作品／柳氏材质／布上丙烯尺寸／0.50X0.60 Thirdly, at the narrative level of art history, the emergence of the "Tianchuixiang School" challenged the writing logic of art history centered on Western modernism. For a long time, the evaluation system of contemporary Chinese art has been deeply trapped in the myth of "aligning with the international community". However, this school of thought has proven through the construction of independent theoretical discourse and creative systems that non Western art can achieve a breakthrough in modernity while maintaining cultural subjectivity. This breakthrough is not a confrontational narrative of Western art, but a constructive practice of participating in global artistic dialogue with an equal attitude. 吉祥百家／一禅画符作品／任氏材质／布上丙烯尺寸／0.50X0.60 在断裂中重构文化主体性在当下"图像爆炸"与文化认同危机并存的时代，"天垂象派"的价值更显深远。当数字技术催生的快餐式视觉文化消解着深度体验，当全球化浪潮导致本土艺术陷入身份焦虑，李刚•艺禅的探索揭示了一条重返文化本体的路径——如乔达摩•悉达多所言，从"两点之间"的当下缝隙切入本体世界，在艺术创作中实现觉性的觉醒。其作品《境随心转》《上善若水》等，正是通过视觉符号的建构，引导观者超越表象，抵达对宇宙本体与人文精神的深层体悟。 吉祥百家／一禅画符作品／方氏材质／布上丙烯尺寸／0.50X0.60 Reconstructing Cultural Subjectivity in FractureIn the current era of "image explosion" and cultural identity crisis coexisting, the value of the "sky hanging image faction" is even more profound. When the fast food style visual culture driven by digital technology dissolves deep experiences, and when the wave of globalization leads to identity anxiety in local art, Li Gang Yichan's exploration reveals a path back to the cultural essence - as Siddhartha Gautama said, entering the ontological world from the current gap between "two points" and realizing the awakening of consciousness in artistic creation. His works such as "The Realm Flows with the Heart" and "The Goodness is Like Water" guide viewers to transcend appearances and reach a deep understanding of the universe and humanistic spirit through the construction of visual symbols. 吉祥百家／一禅画符作品／于氏材质／布上丙烯尺寸／0.50X0.60 这种艺术追求不仅是对个体创作路径的开拓，更是对中国当代艺术精神维度的补位。在装置、行为、影像等多元媒介狂欢的今天，"天垂象派"以绘画与雕塑为载体，重申了架上艺术在观念表达中的可能性；以文字与符号为媒介，证明了传统文化元素在当代艺术中仍能生长出新的意义系统。它为中国当代艺术提供的，不仅是一种新的风格或流派，更是一种在文化断裂中重构主体性的方法论——一种既扎根于"天垂象"的宇宙观，又直面当代生存境遇的艺术哲学。 吉祥百家／一禅画符作品／尹氏材质／布上丙烯尺寸／0.50X0.60 Secondly, in terms of innovative artistic language, Li Gang's practice of Yi Chan reveals a creative path from symbols to abstraction. Different from the "formal self-discipline" of Western abstract art, the abstract forms in its works always maintain deep connections with cultural symbols, such as the text series "Exploring Things to Achieve Knowledge" and "Harmony of Heaven and Man", which transform philosophical concepts into visual metaphors and open up a "third space" between abstraction and concreteness, providing new samples for the localization of Chinese abstract art. 吉祥百家姓／一禅画符作品／袁氏材质／布上丙烯尺寸／0.50X0.60 在传统与未来之间架设桥梁李刚•艺禅的"天垂象派"，本质上是一场静默的文化突围。它拒绝在传统的窠臼中因循守旧，也反对在西方范式中亦步亦趋，而是以艺术家的敏锐直觉与学者的思辨精神，在传统符号与当代语言、东方哲学与西方抽象之间架设起创造性转化的桥梁。这一学派的价值或许不在于立刻构建完整的艺术史坐标，而在于启示我们：真正的当代艺术突破，从来不是对传统的背离，而是对其精神内核的深度激活；不是对西方模式的复制，而是以本土智慧参与全球艺术话语的重构。在这个意义上，"天垂象派"的提出与实践，或将成为中国当代艺术从"模仿创新"走向"本体创新"的重要路标，为新中式文化理论在艺术领域的深化提供极具价值的研究样本。 吉祥百家／一禅画符作品／俞氏材质／布上丙烯尺寸／0.50X0.60 Building a Bridge between Tradition and the FutureLi Gang's Yichan's "Tianchuixiang School" is essentially a silent cultural breakthrough. It refuses to follow the traditional mold and opposes blindly following the Western paradigm. Instead, it builds a bridge of creative transformation between traditional symbols and contemporary language, Eastern philosophy and Western abstraction with the sharp intuition of artists and the speculative spirit of scholars. The value of this school may not lie in immediately constructing a complete artistic historical coordinate, but in inspiring us that the true breakthrough of contemporary art is never a departure from tradition, but a deep activation of its spiritual core; It is not a replication of Western models, but a reconstruction of global artistic discourse with local wisdom. In this sense, the proposal and practice of the "Tian Chui Xiang School" may become an important landmark for contemporary Chinese art to move from "imitation innovation" to "ontology innovation", providing valuable research samples for the deepening of new Chinese cultural theory in the field of art. 吉祥百家／一禅画符作品／卫氏材质／布上丙烯尺寸／0.50X0.60 吉祥百家／一禅画符（视频） 🌍🌍🌍🌍🌍🌍李刚·艺禅／雕塑家画家书法家（生于新疆）原籍贯江苏省徐州市1985年在中央美术学院油画系学习1993在中央美术学院雕塑系助教研修班学习1995年在中央美术学院城市雕塑高级研修班学习（俄罗斯列宾美术学院库巴索夫主讲）曾经任教新疆艺术学院1996年创办新疆城市雕塑创作设计研究中心中国雕塑家学会理事中国当代雕塑研究院副院长中国工艺美术学会雕塑专业委员会委员匈牙利中旬美术家协会副主席新疆雕塑学会副会长北京城市规划研究会公共环境与雕塑委员会副主任原北京城市雕塑办公室专家顾问🌍🌍🌍🌍🌍🌍乙巳年2025年5月25日北京文／尚柔图片/谪仙翻译／心语总监／一禅百度搜索“天垂象派”“雕塑家李刚”、“李刚立体主义”可以了解更多有关雕塑家李刚作品及艺术评论致谢“百度“支持致谢“抖音”支持部分图片（视频）来自“百度”“抖音”支持欢迎您互相交流相互支持诚挚建立一个良好的交流平台，为能量文化做好自己北京通州区宋庄园领部落C幢4单元102室李刚雕塑艺术工作室AAbc•原创/中国艺术&线上国际感谢阅读能量文化欢迎支持转摘.转发中国能量文化本•平台无尝为一线各类优秀艺术家服务可在留言处留言

天垂象派，新中式文化理论视域下的当代艺术范式重构

AAbc原创 / 中国藝術&amp;线上國际

AAbc原创 / 中国藝術&线上國际