<p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文化／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／我本心</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block">在当代艺术愈发趋向观念化的今天，李刚·艺禅的创作轨迹犹如一道逆向的闪电，将中国文字的甲骨密码与围棋的黑白经纬熔炼成视觉的舍利。这位"天垂象派"创立者以艺术为舟楫，在乔达摩·悉达多的本体论哲学与东方神秘主义之间摆渡，构建出独特的"缝隙美学"——当两点之间的时空裂缝被笔锋击穿的刹那，色彩与符号的坍缩中显露出觉性的本体世界。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In today's increasingly conceptualized contemporary art, the creative trajectory of Li Gang Yi Chan is like a reverse lightning, melting the oracle bone code of Chinese characters and the black and white latitude and longitude of Go into visual relics. The founder of the "Celestial Elephant School" used art as a boat to shuttle between Siddhartha Gautama's ontological philosophy and Eastern mysticism, constructing a unique "crevice aesthetics" - when the temporal and spatial rift between two points is pierced by the pen, the collapse of colors and symbols reveals the ontological world of consciousness.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文化／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／问天1号</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block"><span style="font-size:20px;">一、甲骨文的重构：文字作为灵性拓扑学</span></p><p class="ql-block">在《吉祥百家姓》系列中，李刚·艺禅将甲骨文从考古学的茧房中解放，通过颜料堆叠形成的物质褶皱，使象形文字在三维空间中展开拓扑变形。每个姓氏字符都化作能量流动的管道，朱砂的炽烈与靛蓝的深邃在笔触间形成量子纠缠，恰似《易经》中阴阳爻变的物质显影。这种文字解构不是对传统的背离，而是将甲骨文作为灵性基因图谱进行重组，在点画转折处埋设视觉触发器，当观者凝视某个笔画的放射性裂变时，时空的连续性被瞬间瓦解。</p> <p class="ql-block"><span style="color:rgb(1, 1, 1); font-size:18px;">1、 Reconstruction of Oracle Bone Script: Text as Spiritual Topology</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the "Auspicious Hundred Family Surnames" series, Li Gang Yichan liberated oracle bone inscriptions from the cocoon of archaeology, and through the material folds formed by the stacking of pigments, the pictographic characters underwent topological deformation in three-dimensional space. Each surname character becomes a channel for energy flow, and the fiery cinnabar and deep indigo create quantum entanglement between strokes, just like the material manifestation of yin and yang lines in the Book of Changes. This kind of textual deconstruction is not a departure from tradition, but a recombination of oracle bone script as a spiritual gene map, burying visual triggers at the turning points of pointillism. When the viewer gazes at the radioactive fission of a certain stroke, the continuity of time and space is instantly disrupted.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥百家／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／孙 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block">光盘材料的使用构成独特的媒介辩证法。工业时代的光学介质与上古的骨甲符号在画布上交媾，产生出类似佛经中"琉璃光"的幻化效果。这种跨时空对话形成的频闪效应，恰如其分地演绎着艺术家对"当下"的诠释：当甲骨文的物质记忆与数字时代的光谱记忆在某个临界点共振，存在的本真性在介质碰撞的缝隙中乍现。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The use of optical disc materials constitutes a unique dialectical approach to media. The optical media of the industrial era intertwine with ancient bone armor symbols on canvas, producing a transformation effect similar to the "glass light" in Buddhist scriptures. The flicker effect formed by this cross temporal dialogue perfectly interprets the artist's interpretation of the "present": when the material memory of oracle bone inscriptions resonates with the spectral memory of the digital age at a critical point, the authenticity of existence emerges in the gaps of medium collision.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">围棋系列／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／春</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯 光盘</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block"><span style="font-size:20px;">二、围棋的色相涅槃：禅定中的时空折叠</span></p><p class="ql-block">围棋系列作品《春》《夏》《秋》《冬》将361个交叉点转化为色彩力场。李刚·艺禅以温度感知重构棋盘经纬，钴蓝冰裂与赭石暖流在网格间形成季风般的视觉气候。这种对弈局面的热力学转化，暗合《碧岩录》中"春有百花秋有月"的禅机，黑白博弈的二元对立在色阶的无限渐变中被超克，每个色块都成为能量驻波的显影。</p> <p class="ql-block">2、 The Nirvana of Colors in Go: The Folding of Time and Space in Meditation</p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">The Go series works "Spring", "Summer", "Autumn", and "Winter" transform 361 intersections into color power fields. Li Gang Yi Chan reconstructed the longitude and latitude of the chessboard based on temperature perception, creating a monsoon like visual climate between the cobalt blue ice cracks and warm ochre currents in the grid. The thermodynamic transformation of this game situation is in line with the Zen philosophy of "spring with flowers and autumn with moon" in "The Blue Rock Record". The binary opposition of black and white games is overcome in the infinite gradient of color levels, and each color block becomes a manifestation of energy standing waves.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">围棋系列／艺禅彩绘</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／秋</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材质／布上丙烯 光盘</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"></span></p> <p class="ql-block">艺术家独创的光盘拼贴技法，使棋盘在物理维度之外生长出光学维度。当环境光源掠过画面，丙烯颜料与金属镀膜产生干涉效应，观者的移动轨迹成为对弈的第四维。这种参与性时空折叠，将围棋的"入神"境界外化为可感知的物理现实，在色空不二的维度验证着"击穿缝隙"的艺术宣言。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The artist's original disc collage technique allows the chessboard to grow an optical dimension beyond the physical dimension. When the ambient light source passes over the screen, the acrylic pigment interferes with the metal coating, and the viewer's movement trajectory becomes the fourth dimension of the game. This participatory folding of time and space externalizes the "immersion" realm of Go into perceptible physical reality, verifying the artistic declaration of "breaking through gaps" in the dimension of color and space.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">围棋系列／艺禅彩绘</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／冬</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯 光盘</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block"><span style="font-size:20px;">三、卦象的能量显影：伏羲密码的量子诠释</span></p><p class="ql-block">《伏羲八卦/艺禅彩绘》系列中，卦爻不再是占卜符号，而是成为量子隧穿的视觉通道。李刚·艺禅用流体丙烯模拟宇宙微波背景辐射般的基底，使卦象如同漂浮在量子泡沫中的超弦。乾卦的钛白漩涡与坤卦的赭石沉淀形成暗物质般的引力互动，在画布上演绎着《周易参同契》的丹道宇宙学。</p> <p class="ql-block">3、 The Energy Development of Hexagrams: Quantum Interpretation of Fuxi's Code</p><p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In the "Fuxi Bagua/Art Zen Painting" series, the hexagrams and lines are no longer divination symbols, but have become visual channels for quantum tunneling. Li Gang · Yichan used fluid propylene to simulate the cosmic microwave background radiation like substrate, making the hexagram like a superstring floating in a quantum foam. The titanium dioxide vortex of the Qian hexagram and the ochre precipitation of the Kun hexagram form a dark matter like gravitational interaction, interpreting the alchemy cosmology of the Book of Changes on the canvas.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲卦象／艺禅彩绘</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／乾卦（天）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block">这种对易经的量子化转译，在《格物致知》中达到极致。艺术家将伏羲八卦/艺禅彩绘其作品分解为光谱矩阵，每个卦象对应特定波长的光频振动。当观者沿特定路径移动视线，卦爻间的能量跃迁形成视觉上的贝尔实验，观测行为本身成为卦变发生的必要条件，完美实现王阳明"心外无物"的实证美学。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">This kind of quantized translation of the Book of Changes reaches its ultimate level in "Gazing for Knowledge". The artist decomposes the painting of Fuxi Bagua/Yichan into a spectral matrix, with each hexagram corresponding to a specific wavelength of light frequency vibration. When the viewer moves their gaze along a specific path, the energy transition between the hexagrams and lines forms a visual Bell experiment, and the observation behavior itself becomes a necessary condition for the occurrence of hexagram changes, perfectly realizing Wang Yangming's empirical aesthetics of "nothing outside the heart".</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲卦象／艺禅彩绘</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／坤卦（地）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block">在"天垂象派"的创作实践中，李刚·艺禅将中国传统哲学的基因片段植入当代艺术的细胞质，培育出具备文化本体论意义的艺术生命体。这些作品不是简单的视觉革新，而是构建了连通形而上与形而下世界的量子通道。当我们的视觉神经在甲骨文的能量矩阵中震颤，在围棋色阶的波函数中坍缩，在卦象的光频振动中叠加，艺术终于回归其本质——成为人类叩击存在本体的木铎。</p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the creative practice of the "Tian Chui Xiang School", Li Gang Yi Chan implanted genetic fragments of traditional Chinese philosophy into the cytoplasm of contemporary art, cultivating artistic life forms with cultural ontological significance. These works are not simply visual innovations, but rather the construction of quantum channels that connect the metaphysical and the metaphysical worlds. When our visual nerves tremble in the energy matrix of oracle bone inscriptions, collapse in the wave function of Go color scales, and superimpose in the light frequency vibration of hexagrams, art finally returns to its essence - becoming the wooden vessel of human percussion existence.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥百家／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／凤 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／格物致知</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1. 96</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"></span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／艺禅画符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／境随心转</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材质／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.96</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">围棋系列作品 （视频）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);"></span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禅画符 （视频）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;"></span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">🌍🌍🌍🌍🌍🌍</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">李刚·艺禅／雕塑家 画家</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">（生于新疆）原籍贯江苏省 徐州市</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1985年在中央美术学院油画系学习</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1993在中央美术学院雕塑系助教研修班学习</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1995年在中央美术学院城市雕塑高级研修班学习</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">（俄罗斯列宾美术学院 库巴索夫主讲）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">曾经任教新疆艺术学院</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1996年创办新疆城市雕塑创作设计研究中心</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中国雕塑家学会理事</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中国当代雕塑研究院副院长</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中国工艺美术学会雕塑专业委员会委员</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">匈牙利中旬美术家协会副主席</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">新疆雕塑学会副会长</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北京城市规划研究会公共环境与雕塑委员会副主任</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">原北京城市雕塑办公室专家 顾问</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">🌍🌍🌍🌍🌍🌍</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">乙巳年</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">2025年4月16日</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">文／尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">图片/谪仙</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">翻译／心语</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">总监／一禅</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">“天垂象派”</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">“雕塑家李刚”、“李刚立体主义”</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">可以了解更多有关</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">雕塑家李刚作品及艺术评论</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">致谢“百度“支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); 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