<p class="ql-block">2024年12月8日</p> <p class="ql-block">上海博物馆东馆在2024年3月面世，上海上榜的国宝几乎都陆续来东馆了，11月底，上海博物馆东馆又迎来一场盛大的书画展览，展出来自历代书法和绘画的珍品，其中一些是首次完整展出。</p><p class="ql-block">到底有哪些国宝呢？网上有很多排序，下面是其中一种说法：</p> <p class="ql-block">西周大克鼎：通高93.1厘米，口径75.6厘米，重201.5公斤。鼎内壁铸有290字铭文，是研究西周土地制度和官制的重要资料。</p><p class="ql-block">晋侯苏钟：共16件，可分为两组，每组8件，铭文355字，对研究西周历史和晋国历史极为重要。</p><p class="ql-block">春秋子仲姜盘：高18厘米，口径45厘米，重12.4千克。盘内装饰浮雕和立雕水生生物，内壁铸有铭文六行三十二字。</p><p class="ql-block">战国商鞅方升：全长18.7厘米，容积202.15立方厘米。器壁刻有铭文，是研究秦国量制的重要资料。</p><p class="ql-block">唐越窑青釉海棠式碗：高10.8厘米，口纵23.3厘米，横32.2厘米。碗体施青黄色釉，造型线条丰满圆润。</p><p class="ql-block">王献之《鸭头丸帖》：东晋大书法家王献之的行草代表作，唐代摹写的善本。</p><p class="ql-block">怀素《苦笋帖》：唐代草书名家怀素的代表作，真迹书法俊健。</p><p class="ql-block">孙位《高逸图》：唐代画家孙位的传世孤本，描绘竹林七贤中的四位高人。</p><p class="ql-block">王羲之《上虞贴》：书圣王羲之的摹本，是唐代摹本中的重要作品。</p><p class="ql-block"><span style="font-size:18px;">清雍正粉彩蝠桃纹橄榄瓶：高39.5厘米，瓶身刻蝠桃纹样，象征“福寿双全”。</span></p><p class="ql-block">这些镇馆之宝不仅代表了各自领域的巅峰之作，也共同构成了上海博物馆东馆丰富的文化宝藏。</p> 青铜馆 <p class="ql-block">商鞅方升（镇馆之宝）</p> <p class="ql-block">栖尊—春秋晚期</p> <p class="ql-block">八牛储贝器—西汉</p> <p class="ql-block">西周大克鼎，又称克鼎、膳夫克鼎，西周中期青铜器，于清朝光绪中期出土于陕西扶风县法门镇任村，现收藏于上海博物馆。</p><p class="ql-block">西周大克鼎通高93.1厘米，口径75.6厘米，腹径74.9厘米，腹深43厘米，重201.5公斤。鼎立耳，口沿下饰变形兽面纹，中又饰小兽面纹，并有觚棱凸棱，整个造型庄严厚重。腹内铸铭文290字，铭文行间皆有线相隔，笔势圆润。铭文内容则是研究西周土地制度和官制的重要资料。</p><p class="ql-block">西周大克鼎是西周时代极为重要的青铜器，也是历见著录，众所周知的重器，2002年1月18日被列入《首批禁止出国（境） 展览文物目录》。</p> <p class="ql-block">春秋子仲姜盘是春秋早期青铜器，出土于山西。</p><p class="ql-block">春秋子仲姜盘高18厘米，口径45厘米，重12.4千克，盘内装饰了浮雕和立雕的各种水生生物，鱼、龟、蛙、水鸟一应俱全，每个圆雕动物均能原地作平面360度的旋转。内壁铸有铭文六行三十二字。</p><p class="ql-block">春秋子仲姜盘体现了春秋早期极高的制作工艺水平，是一件世所罕见的奇物。</p> <p class="ql-block">晋侯苏钟：共16件，可分为两组，每组8件，铭文355字，对研究西周历史和晋国历史极为重要。</p> <p class="ql-block">2025年1月2日 早上10点第一批进展厅，欣赏书法馆和绘画馆。</p> 晋唐书法 <p class="ql-block">东晋王羲之草书上虞帖卷</p><p class="ql-block">王羲之（303-361)，字逸少，琅琊临沂人，后移居绍兴。官右军将军，人称"王右军"。其书博采众长，创立行、草新风。此系其致友人书札，为唐代摹本，笔致清劲，姿态妍丽，有章草余韵。</p><p class="ql-block"> Shang Yu Tie </p><p class="ql-block"> Wang Xizhi (303-361)</p><p class="ql-block"> Cursive script </p><p class="ql-block"> Handscroll </p><p class="ql-block"> Eastem Jin (317-420)</p><p class="ql-block"> Wang Xizhi (303-361), also known by his zi ( designated name ) Yishao , was a native of Linyi in Langya . He later moved to Shaoxing . Serving as the General of Youjun , Wang was also called " Wang Youjun ." Wang Xizhi absorbed the expertise of many master calligraphers and had a profound learning of various scripts of calligraphy . He pioneered new trends in running and cursive scripts . This scroll is Wang Xizhi ' s letter to his friend . Although this work is a copy made in the Tang dynasty , it shows the forceful brushstrokes and elegant structures with a remaining influence from the early cursive .</p> <p class="ql-block">东晋王献之行书鸭头丸帖卷</p><p class="ql-block">王献之（344-386)，字子敬，琅琊临沂人。羲之第七子。官至中书令，人称"王大令"。工书，尤以行草擅名。此系其致亲朋短笺，为唐摹本。通篇行笔流畅，回环往复，是代表王献之草书成就的传世名作。</p><p class="ql-block"> Ya Tou Wan Tie </p><p class="ql-block"> Wang Xianzhi (344-386)</p><p class="ql-block"> Running script </p><p class="ql-block"> Handscroll </p><p class="ql-block"> Eastem Jin (317-420)</p><p class="ql-block"> Wang Xianzhi (344-386), also known by his z /( designated name ) Zijing , was the seventh son of Wang Xizhi . A native of Linyi in Langya , he was also called " Wang Daling ", in which " Daling " refers to his position in the court . Wang was adept in calligraphy , especially skilled in running - cursive . This work is a Tang dynasty copy of a note written to Wang ' s friend . He employed smooth and fluid brushstrokes with graceful loops and curves . It is a representative work of Wang Xianzhi ' s achievement in cursive .</p> <p class="ql-block">唐怀素草书苦笋帖卷</p><p class="ql-block">怀素（737-799),俗姓钱，法名藏真。长沙人。工狂草，与张旭并创"狂草"，人称"颠张醉素"。此系其致友人短札。用笔圆转灵动，自然古淡，深得二王风致。是迄今传世怀素作品中唯一没有争议的真迹。</p><p class="ql-block"> Ku Sun Tie </p><p class="ql-block"> Huaisu (737-799)</p><p class="ql-block"> Cursive script </p><p class="ql-block"> Handscroll </p><p class="ql-block"> Tang (618-907)</p><p class="ql-block"> Huaisu (737-799), a native of Changsha , whose original family name was Qian , had a monastic name Cangzhen . He created the kuangcao ( wild cursive ) script along with Zhang Xu . A term " Crazy Zhang and Drunken Su " was coined to describe their bold and unrestrained style in calligraphy . This work is a note Huaisu wrote to his friend . The brushstrokes are rounded and lively , exuding a natural simplicity and archaic elegance that exemplifies the style of the two Wangs ( Wang Xizhi and Wang Xianzhi ). Among all surviving works attributed to this Tang dynasty calligrapher , this is the only one that is universally recognized as an undisputed authentic piece by Huaisu .</p> 宋代书法 绘画馆 <p class="ql-block">孙位《高逸图》（唐）</p><p class="ql-block">唐代著名画家孙位仅存的真迹，上博所藏书画中的第一名作，上博五件不得出境国宝之一。</p><p class="ql-block">画名"高逸图"为宋徽宗赵佶所题，画面上描绘了是竹林七贤中的四位高人：山涛、王戎、刘伶和阮籍。画家通过娴熟高超的技术，出色地刻划了魏晋士大夫的精神气质。这件展品似乎之前从来没有展出过。</p> <p class="ql-block">北宋赵佶</p> 玉器馆 <p class="ql-block"><span style="font-size:18px;">玉神人</span></p><p class="ql-block">神人头戴平冠，耳佩环饰，双手交于胸前，再现史前巫师或部落首领举行祭祀仪式时虔诚与神沟通的形象。</p><p class="ql-block"> Wearing a flat - top crown and huan - form earrings , this standing deity has his hands clasped before the belly - a typical posture of a pious shaman or a tribal leader - in his dialogue with gods in a prehistorical ritual .</p><p class="ql-block">小玉人恭立于此，与其身后的九件展品一起，为您奉上"中国古玉器极简史"。</p><p class="ql-block"> The little jade figure and the nine objects placed behind , illustrate a brief history of Chinese jade .</p> 瓷器馆 <p class="ql-block">唐越窑青釉海棠式碗</p>