<p class="ql-block">JXY从提出办展，到具体实施，全情投入，精益求精。历经三百多个日日夜夜，《空间隐喻作为方法论》将于今年6月10日，在广州逵园艺术馆与大家见面。关于建筑设计与艺术跨界以及其中隐含的哲学思辨，我其实还只是懵懵懂懂一知半解，但年轻人能有自己的思想并付诸行动，见之于成效，在职业生涯发展中尝试了，反思了，历练了，有所感悟了，这是弥足珍贵的。特此以美篇形式转发本推文以示鼓励和支持。</p> <p class="ql-block">逵园艺术馆 2023-06-05 11:23 发表于广东</p><p class="ql-block">以下文章来源于Studio JXY ，作者JXY Studio</p> <p class="ql-block"><b style="color: rgb(25, 25, 25);"> 空间隐喻作为方法论</b></p><p class="ql-block"><b> SPATIAL METAPHOR AS METHODOLOGY</b></p><p class="ql-block"> 艺术家：徐越、徐嘉迅</p><p class="ql-block"> Artists Yue Xu, Jiaxun Xu</p><p class="ql-block"> 策展人：黄轶群</p><p class="ql-block"> Curator Kelvin Huang</p><p class="ql-block"> 展期：2023年06月10日 - 07月09日</p><p class="ql-block"> Date 06.10 - 07.09.2023</p><p class="ql-block"> 时间：11:00 - 18:00</p><p class="ql-block"> Opening Hours 11:00 - 18:00</p><p class="ql-block"> 地点：广州市越秀区恤孤院路9号</p><p class="ql-block"> Venue No.9, Xuguyuan Road, Guangzhou</p><p class="ql-block"> 主办：逵园艺术馆</p><p class="ql-block"> Organizer Kui Yuan Gallery</p><p class="ql-block">在更为广泛的文化意义之内，倘若承认当代社会正在经历某种相对于早期现代化进程而言，更加多元而复杂、多义而模糊的普遍性思潮转变，则「空间隐喻作为方法论」展览所呈现的，JXY Studio 对于建筑学这一独特媒介的多维度探索，可以被视作如是语境中多样而发散的可能，它们并不直接关乎其学科更迭或本体发展，而更在于间接地重新挖掘其语汇，重新认知其影响，重新审视其边界。</p><p class="ql-block">In a broader cultural sense, if it is acknowledged that contemporary society is undergoing a universal shift of ideological trends, which is more diverse and complicated, polysemous and ambiguous relative to the early modernization process, JXY Studio’s multidimensional explorations of architecture as a unique medium, showcased in the exhibition "Spatial Metaphor as Methodology", could be regarded as the various and divergent possibilities within such context, which are not directly related to the iteration or ontological development of the discipline itself, but rather to indirectly involve the reconsideration of its vocabulary, the reevaluation of its influence, and the reexamination of its boundaries.</p><p class="ql-block"><b style="color: rgb(25, 25, 25);"> PART I | 艺术的建筑学蓝本</b></p><p class="ql-block"><b> The Architectonic Blueprint of Art</b></p><p class="ql-block">第一部分作为一则宣言，一种理想主义的可能性，给出一系列综合的示例，并试图藉此发问：在本土当代建筑背后的经济环境滋养下及其所同时面临的社会发展阶段限制下，建筑学思维能够呈现出怎样有力而包容的空间及关联手段，又能够重新为以其为蓝本所构筑的艺术领域，提供怎样变化而相融的创作方法？</p><p class="ql-block">Part I, serving as a manifesto, an idealistic possibility, provides a series of comprehensive examples and attempts to raise questions: under the nourishment of the economic environment behind the local contemporary architecture, while also the constraints imposed by the social development stages that it simultaneously faces, what powerful yet inclusive, spatial and relational approaches could architectonic thinking showcase, and what diversified yet integrated, creative methods could it provide for the art field constructed based on its blueprint?</p> <p class="ql-block"> 片段十 Moment X</p><p class="ql-block"> 数位绘画 Digital Painting, 2021</p> <p class="ql-block"> 片段十一 Moment XI</p><p class="ql-block"> 数位绘画 Digital Painting, 2021</p><p class="ql-block"> 选自 莓苔 | Selected from SYMBIOSIS</p> <p class="ql-block"> 第二幕 Act II</p><p class="ql-block">数码摄影，行为展演 Digital Photography, Performance, 2021</p> <p class="ql-block"> 第四幕 Act IV</p><p class="ql-block">数码摄影，行为展演 Digital Photography, Performance, 2021</p><p class="ql-block"> 选自 玲珑 | Selected from SPECTACLE</p> <p class="ql-block">此部分引入实验性的建筑探索及表达形式研究，作为理解及认知空间创作思维的起点，并由此进一步导向至空间化及结构化的多种数字媒介的抽象型态表达，最终衍生出基于空间与关联及建筑与隐喻的，纯粹而主观的表现性影像装置。</p><p class="ql-block">In this part, experimental architectural explorations and research into representation forms are introduced as a departure point for understanding and perceiving spatial creative thinking, which further progresses towards abstract forms spatialized and structured through various digital media, and ultimately derives purely subjective and expressive visual imagery representation installation based on spaces, relations, architecture, and metaphors.</p> <p class="ql-block"> 人形 Re-Inscription</p><p class="ql-block"> 录像 Video, 2021</p><p class="ql-block"> 选自 人形 | Selected from RE-INSCRIPTION</p> <p class="ql-block"><b style="color: rgb(25, 25, 25);"> PART II | 历史转译的可能性</b></p><p class="ql-block"><b> The Possibilities of Historical </b></p><p class="ql-block"><b> Reinterpretation</b></p><p class="ql-block">第二部分收录了关于历史建筑更新与修复及转译与再造等议题的多种可能性探索，以如是多样化的设计研究及理论描画，作为当代建筑设计范畴内城市与空间甚至人文与历史转译可能性的示例，试图丰富其方法论及语言库，最终导向更为深刻而多元化的实践。</p><p class="ql-block">Part II, encompassing various explorations of issues related to the renovation and restoration, reinterpretation and reconstruction of historic architecture, and through such diverse design research and theoretical depictions, provides examples concerning urban and spatial potentials as well as humanistic and historical reinterpretation possibilities within the realm of contemporary architectural design, aiming to enrich its methodology and vocabulary, ultimately leading to more profound and diversified practices.</p> <p class="ql-block"> 序幕 Introduction</p><p class="ql-block"> 数字绘图 Digital Drawing, 2018</p><p class="ql-block">选自 风·林·火·山 | Selected from SYNESTHESIA</p> <p class="ql-block"> 外观 Outward</p><p class="ql-block"> 数字绘图 Digital Drawing, 2020</p><p class="ql-block"> 选自 合署 | Selected from THE BUDDHA</p> <p class="ql-block">此部分关注从广州核心旧城街区，到当代历史城区范围，乃至更为宽泛的中国本土区域，涵盖从具体保护建筑实例再造，历史街区城市节点演变，到中国性传统建筑抽象原则转译，并进一步引入美国具有代表性的工业遗产地块的更新命题。</p><p class="ql-block">In this part, the focuses range from central historic urban blocks to contemporary historical urban districts in Guangzhou, and even broader indigenous areas in China, covering examples from the renovation of specific conserved architectural entities, the evolution of historical urban neighborhoods, to the reinterpretation of abstract principles from Chinese traditional architecture, and the further introduction of propositions for the revitalization of representative post-industrial areas in the United States.</p> <p class="ql-block"> 珍品匣 Cabinet of Curiosities</p><p class="ql-block"> 数码摄影 Digital Photography, 2021</p> <p class="ql-block"> 珍品 Curiosities</p><p class="ql-block"> 数码摄影 Digital Photography, 2021</p><p class="ql-block"> 选自 在野 | Selected from REWILDING</p> <p class="ql-block"><b style="color: rgb(25, 25, 25);"> PART III | 影像的压缩与拓展</b></p><p class="ql-block"><b> The Compression and Expansion of Images</b></p><p class="ql-block">第三部分从讨论时空压缩与扩展的角度，重新挖掘关于影像创作与表现方法，认知与观看方式，及思考与逻辑的变化潜力，探索静态影像与动态影像作为主观创作手段的空间观念表达功能，试图从这一价值切入以拓宽影像作为表现媒介的边界。</p><p class="ql-block">Part III, from the perspective of discussing the compression and expansion towards time and space, reexamines the changing potentials regarding image creation and representation methods, perception and viewing approaches, as well as reflection and logic, explores the spatial concept expression capabilities of static and moving images as subjective creative media, aiming to broaden the boundaries of images as representation mediums from this value.</p> <p class="ql-block"> 孔洞 Porosity</p><p class="ql-block"> 底片摄影 Film Photography, 2021</p><p class="ql-block"> 选自 孔洞 | Selected from POROSITY</p> <p class="ql-block"> 重构 Reconstruct</p><p class="ql-block"> 底片摄影 Film Photography, 2021</p><p class="ql-block"> 选自 重构 | Selected from RECONSTRUCT</p> <p class="ql-block">此部分以底片摄影的静态影像为基础，包括隐喻空间性与多孔性的多影像群，数字拼接的空间扩展影像组合， 及散文式的独立影像纸质志，并进一步引入以 Super 35 数字摄录的实验性动态影像，包括一个无声短片装置及三个有声短片装置。</p><p class="ql-block">In this part, film photography static images act as the basis, including multi-image groups with spatial and porous metaphors, digitally collaged space-expansion image combinations, and prose-style independent image paper-based publications; experimental moving images captured with Super 35 digital cinematography are further introduced, including a silent short film installation and two sound short film installations.</p> <p class="ql-block"> 应答 RESPONSE</p><p class="ql-block"> 录像 Video, 2022</p><p class="ql-block"> 选自 应答 | Selected from RESPONSE</p> <p class="ql-block">透过如是三部分似乎若即若离而又相互关联的探究性创作实践，他们观察并意识到一个隐隐埋藏的动机，一条逐渐浮现的线索，一种贯穿始终的方法论：关于空间隐喻的重新叙述。</p><p class="ql-block">Through such three parts of exploratory creative practices that are seemingly unrelated yet interconnected, they have observed and become aware of a faintly hidden motivation, an emerging thread, a pervasive methodology: the re-narration of spatial metaphor.</p> <p class="ql-block"><b style="color: rgb(25, 25, 25);"> 关于 JXY Studio</b></p><p class="ql-block"><b> About JXY Studio</b></p><p class="ql-block">JXY Studio 是一家跨学科建筑与艺术工作室，由徐越和徐嘉迅共同创立。我们的工作旨在突破传统建筑设计的界限，并透过更为广泛的媒介探索构建空间与叙事的革新方法，涉及设计、研究及视觉艺术领域，涵盖图像、绘画、装置、摄影及动态影像等多媒体形式。</p><p class="ql-block">结合在数字化创作、构筑物装置、空间艺术化概念重构及都市主义创新方面的丰富经验，工作室的每个项目都立足于逻辑化研究与创造性实践。我们从岭南丰富的文化底蕴及东西方文化的交汇中汲取灵感，并以这种独特的视角推动建筑与艺术的跨学科探索。</p><p class="ql-block">JXY Studio is an interdisciplinary architecture and art studio co-founded by Yue Xu and Jiaxun Xu. Our work aims to push the boundaries of traditional architectural design and explore innovative approaches to the construction of space and narrative through a broader range of mediums, involving the fields of design, research, and visual arts, incorporating imagery, painting, installation, photography, moving image, and other multimedia forms.</p><p class="ql-block">Combined with extensive experience in digital creation, spatial installation, artistic re-conceptualization of space, and innovative urbanism, each project of the studio is grounded in both logical research and inventive practice. Drawing inspiration from the rich cultural heritage of Lingnan and the intersection of Eastern and Western cultures, we use this unique perspective to fuel the interdisciplinary explorations of architecture and art.</p><p class="ql-block">徐越 [b. 1996]，以高等荣誉获得美国密歇根大学城市设计硕士学位，拥有华南理工大学建筑学学士学位并专修城市设计方向。现生活工作于广州。</p><p class="ql-block">徐嘉迅 [b. 1996]，获美国康奈尔大学高级建筑设计硕士学位，拥有华南理工大学建筑学学士学位并专修历史建筑保护方向， 以及纽约电影学院电影制作文凭。现生活工作于广州。</p><p class="ql-block">Yue Xu [b. 1996] received her Master of Urban Design with high distinction from the University of Michigan and her Bachelor of Architecture from the South China University of Technology with a specialization in Urban Design. She currently lives and works in Guangzhou.</p><p class="ql-block">Jiaxun Xu [b. 1996] holds a Master’s degree in Advanced Architectural Design from Cornell University, a Bachelor of Architecture from the South China University of Technology with a specialization in Historic Building Conservation, and a Filmmaking diploma from the New York Film Academy. He currently lives and works in Guangzhou.</p><p class="ql-block">Instagram | jxy_studio </p><p class="ql-block">Web | www.jxystudio.com</p><p class="ql-block">Contact｜studiojxy@gmail.com</p> <p class="ql-block">逵园艺术馆成立于2012年，建筑为广州东山洋房五大名园之一，国家文物保护单位。作为推广大众艺术和当代艺术的平台，定期举办展览和文化艺术活动，现已成为广州文化艺术地标之一，当代艺术推广和文物建筑活化的范例。</p><p class="ql-block">Kui Yuan Gallery is actively engaged in many art events and has hosted a number of contemporary art exhibitions since its opening in 2012. It is also widely recognized as a success in heritage conservation and revitalization, and a must-see spot by visitors from worldwide. </p>