祈 福 吉祥字符 时尚文化精神的诉求

AAbc原创 / 中国藝術&线上國际

李刚（一禅）作品／我本心

材质／布上丙烯

尺寸／1.56X1.96

——————🌍🌍🌍🌍🌍🌍——————



祈 福

吉祥字符／时尚文化精神的诉求

文／尚柔

中国文字的起源 真正意义上的汉字起源于公元前14世纪的殷商时期的甲骨文。关于汉字的起源，中国古代文献上有种说法，如“结绳”、“八卦”、“图画”、“书契”等，古书上还普遍记载有黄帝史官仓颉造字的传说。按中国古文字学家的意见，甲骨文是“目前所能看到的最早而又比较完备的文字”。至今已发现多达3000个以上字汇。“甲骨文”被认为是“汉字”的第一种形式，直到今天甲骨文依然是中国人，中国文人，书法家和各类艺术家从事艺术探索研究的重要文献依据，“文字”是开启人类智慧的一把金钥匙。同时“吉祥字符”又是非常容易生发在每一位中国人心灵情感之中，每个人也应该拥有一个完全属于自我的时尚文化精神诉求。

李刚（一禅）作品／致中和

材质／布上丙烯金属

尺寸／3.00X1.50



pray for auspiciousness

Auspicious Characters/Appeal of

Fashion Culture Spirit

Wen/Shang Rou

The true origin of Chinese characters originated from oracle bone inscriptions during the Yin and Shang dynasties in the 14th century BC. There are various theories about the origin of Chinese characters in ancient Chinese literature, such as "knotting ropes", "Eight Trigrams", "pictures", "book contracts", etc. Ancient books also generally record the legend of the Huangdi historian Cangjie creating characters. According to ancient Chinese philologists, oracle bone inscriptions are "the earliest and relatively complete writing that can be seen at present. Up to now, over 3000 vocabulary words have been discovered. "Oracle bone inscriptions" are considered the first form of "Chinese characters". Until today, Oracle bone inscriptions are still an important documentary basis for Chinese people, Chinese scholars, calligrapher and various artists to engage in art exploration and research. "Character" is a golden key to human wisdom. At the same time, the "auspicious character" is very easy to be born in the hearts and emotions of every Chinese person, and everyone should also have a completely self owned fashion cultural spiritual pursuit.

李刚（一禅）作品／国泰平安

材质／布上丙烯

尺寸／1.56X1.96

“艺术精神“是艺术作品的灵魂，是艺术作品借助于艺术语言与艺术技法表达的主题思想，表现出作者内心的情感或者是艺术语言的一种形态，创作艺术作品中的灵动气息和文化意识，主要是在艺术作品中体现出的艺术精神。艺术精神作为拥有超越品格的灵性存在，它的艺术精神会启示艺术精神。当然，艺术家一旦为艺术精神而为之创造赋能，那么伟大的艺术作品随即产生艺术灵魂，这就是吉祥字符的艺术精神在作品中的核心体现。

李刚（一禅）作品／上善若水

材质／布上丙烯

尺寸／1.56X1.96



The spirit of art "It is the soul of works of art, the theme idea expressed by works of art with the help of artistic language and artistic techniques, expressing the author's inner feelings or a form of artistic language. The spirit and cultural awareness in the creation of works of art are mainly the artistic spirit reflected in the works of art. As a spiritual existence that transcends character, the artistic spirit will inspire the artistic spirit. Of course, the artist Once the artistic spirit is created and empowered, then great works of art immediately generate artistic souls, which is the core embodiment of the artistic spirit of auspicious characters in the work.

李刚（一禅）作品／本自具足

材质／布上丙烯

尺寸／1.56X1.96



东方人有着自己独有一种祈福方式，无论哪个民族都有着一个共性的祈福。祈福⽂化的兴起催⽣了宗教的产⽣，同时伴随着宗教的传播，民间祈福开始呈现出多元化发展态势，很多⼈开始把祈福的⽬光由实质性的苍天、⼤⼭等等转向文化精神⽅⾯的文化智慧诉求，提升到了文化精神层面上，开始通过时尚文化的新文化形式祈盼得到心灵诉求。在吉祥文字《天人合一》、《上善若水》、《本自具足》、《平安健康》等等文字字符上的精神寄托。

李刚（一禅）作品／心向光明

材质／布上丙烯

尺寸／1.26X1.96



Oriental people have their own unique way of praying, and no matter which ethnic group, there is a common way of praying. The rise of praying for blessings has stimulated the production of religion, and with the spread of religion, folk praying has begun to show a diversified development trend. Many people have begun to shift the focus of praying from substantive heaven and earth to the cultural and spiritual demands of cultural wisdom, elevating it to the cultural and spiritual level, and seeking spiritual appeals through the new cultural forms of fashion culture. The spiritual sustenance in auspicious characters such as "Harmony between Heaven and Man", "Supreme Virtue Like Water", "Self sufficiency", "Peace and Health", etc.

李刚（一禅）作品／一个中

材质／布上丙烯

尺寸／1.26X1.96



传承现代祈福⽂明，中国祈福⽂化是祖先给我们留下的⾼品位的历史⼈⽂精神构成要素，是非常重要的宝贵财富，它发展到今天，已经成为宗教、旅游、传统⽂化的重要组成部分，给现代各方、企、事业单位及家人的文化发展注入积极向上的智慧灵魂。

传承祈福⽂化是我们的历史使命，⽽创新与发展祈福⽂化，更是我们的神圣职责。中国祈福⽂化定会在波澜壮阔的历史长河中，以中国文字之本，以中国文化为核心输出正确的能量文化，在新时代一定会绽放出更加耀眼夺⽬的光彩。

李刚（一禅）作品／问天1号

材质／布上丙烯

尺寸／1.56X1.96



Inheriting modern prayer culture, Chinese prayer culture is a historical and spiritual element of high taste left by our ancestors. It is a very important and precious asset. It has developed to this day and has become an important component of religion, tourism, and traditional culture, injecting a positive and wise soul into the cultural development of modern parties, enterprises, institutions, and families.

Inheriting and praying for blessings is our historical mission, and innovating and developing praying for blessings is our sacred responsibility. The Chinese prayer culture will surely shine with even more dazzling brilliance in the new era, based on the foundation of Chinese characters and Chinese culture as the core, in the magnificent historical river.

李刚（一禅）作品／伏羲·一画开天

材质／布上丙烯

尺寸／1.26X1.96



在绵延数千年的中国传统文化长河中，吉祥文化是一条十分重要的支流，是中国优秀传统文化的重要内容。它凝结着中国人的伦理情感、生命意识、审美趣味与宗教情怀，可以说是源远流长，博大精深。它的核心在于帮助人们更好地生活，提升人对世界的认知，凡是人们认为好的东西，都会表现在这些有着特别人文关怀文化之中，构成这一文化永恒的主题和美好的画面。自从有了中国特殊性的象形文字，人文精神文化的影响及吉祥文字运用等等，可以说是从古至今从来就没有停止，在我们的生活中无处不在，重要的是中国象形文字它包含着人们更多美好的精神寄托，吉祥如意，平安健康等等的文字字符的文化内涵。如有特殊意义的《天人合一》的“天”、《文字•中华門》的“門”、《国泰平安》的“平“、《上善若水》的“水”、《本自具足》的“本“、《文字1号中国人》的“人”字等等，从这些文字符号中不难看出我们祖先是多么的伟大和智慧。中国的祈福⽂字，中国人自古以来就有对文字字符有着特别的人文情感，每个象形文字中蕴含着东方人生存及生命的意义。字字珠玑，字字喻意深刻，在每幅字符中都能找到自我与文化精神的同频共振和所需能量。经过⼏千年的熏陶和传承其中的祈福⽂化已经成为⼀切美好事物和谐的集合，祈福⽂化传承千年现当下更是提升了他的认知度，构成了新时代精神的时尚文化精神诉求和时代精神美学。古代⼈靠天吃饭，所以特别重视祈福，风调⾬顺才能五⾕丰登，才能⽣存下去。在此基础上，祈福逐渐发展成为⼀套完整的符号体系。从而祈福是作为中国⼈⽣活中⼀个必不可少的部分，表达了⼈们对美好愿望的期盼，对未来⽣活的⼀种⼼灵寄托。上⾄帝王将相，下⾄平民百姓，每个⼈都有⼀个属于⾃⼰的祈盼，⽽这种祈盼更需要对某种具体形象的载体予以表达，开始对中国文字字符的吉祥如意，对文字字符的⼀种特殊的普遍性信仰追求。

李刚（一禅）作品／山河大地是如来

材质／布上丙烯金属

尺寸／1.56X1.96



In the thousands of years of traditional Chinese culture, auspicious culture is a very important tributary and an important part of China's excellent traditional culture. It embodies the ethical emotions, life consciousness, aesthetic taste, and religious sentiments of the Chinese people, and can be said to have a long and profound history. Its core is to help people live better and enhance their understanding of the world. Everything that people think is good will be reflected in these cultures with special humanistic care, forming the eternal theme and beautiful images of this culture. Since the Chinese special hieroglyph, the influence of humanistic spirit and culture, and the use of auspicious characters, it can be said that they have never stopped since ancient times, and they are ubiquitous in our lives. What is important is that Chinese hieroglyph contain more cultural connotations of characters such as people's spiritual sustenance, good luck, safety and health. It is not difficult to see how great and wise our ancestors were from the character numbers in these texts, such as the "heaven" in "Unity of Heaven and Man", the "gate" in "Chinese Gate", the "level" in "Guotai Ping An", the "water" in "Shangshan Ruoshui", the "book" in "Ben Zizu", and the "person" in "Chinese Character No. 1", which have special meanings. Chinese people have special humanistic feelings for characters since ancient times, and each hieroglyph contains the meaning of oriental life. The words are precious and the meanings are profound. In every character, one can find the resonance and required energy between oneself and cultural spirit. After thousands of years of cultivation and inheritance, the integration of blessings has become a harmonious collection of all beautiful things. The integration of blessings and inheritance for thousands of years has further enhanced his awareness, forming the fashion, cultural and aesthetic demands of the new era spirit. In ancient times, people relied on the heavens to eat, so they attached great importance to praying for blessings. Only by adjusting the wind smoothly can they achieve five harvests and survive. On this basis, prayer gradually developed into a complete system of symbols. Therefore, praying for blessings is an essential part of Chinese life, expressing people's expectations for good wishes and spiritual sustenance for future life. The emperors, generals, and ministers above, and the common people below, each have a prayer that belongs to their own people. This prayer requires the expression of a specific image carrier, and the pursuit of a special universal belief in Chinese characters.

李刚（一禅）作品／天人合一

材质／布上丙烯

尺寸／1.56X1.96



在西方的文化精神与中国艺术的文化精神上都拥有着丰富文化思想的优秀艺术作品，他们都有着相同类型的艺术表现形式，如今人们对于艺术的精神性有着多样并且更深层次的探索和需求。认为精神性则是想要归属于除自己之外的更大的自然渴望，探索生命的开始和人生存的本体意义，以及对宇宙中神秘不可捉摸的能量的认知，对我们的存在和未来的可能性进行探索和质疑。同时也让我们去思考自己本体，思考生存的生命状态以及对艺术精神都做出了深刻的探究。

李刚（一禅）作品／砥砺前行

材质／布上丙烯

尺寸／3.00X1.50



Both the cultural spirit of the West and the cultural spirit of Chinese art possess excellent works of art with rich cultural ideas, both of which have the same type of artistic . Nowadays, people have diverse and deeper explorations and demands for the spirituality of art. Believing that spirituality is the desire to belong to greater natural desires beyond oneself, exploring the beginning of life and the ontological significance of human existence, as well as understanding the mysterious and elusive energy in the universe, exploring and questioning our existence and future possibilities. At the same time, it also allows us to think about our own ontology, the state of life in which we exist, and to make profound explorations into the spirit of art.

李刚（一禅）作品／太极（太阳系列）

材质／布上丙烯

尺寸／1.50x1.50



一禅先生长期关注人类生存及生命的意义，也就是我们人类自己“人”，他用最纯粹的艺术及文字作绘画语言，用不同与传统的绘画形式，把文字和雕塑的立体空间整合到一个能量场时，艺术作品的视觉呈现效果完全是不一样的，经过碰撞融合后艺术作品释放出艺术作品的新能量，让观着内心深处自然而然打开心智、找到自己的本心，开启维度，从艺术作品中给你传达并启示在精神高度上追问人类生存的意义。艺术作品在某种意义上说，给我们一种新的绘画形式以及能量的向着多维度纵深的启迪。在作品中仿佛传达出一种神秘的宗教仪式感和有着极强的立体建筑空间感，仿佛有高迪大教堂雄伟，庄严，敬畏之感。同时又有东方佛堂建筑的肃穆及神秘宇宙感，同时在视觉艺术精神上让你向往，让你心灵感受宇宙之大，我们人类如此脆弱又渺小。一个艺术家作品最重要的是有思想，在艺术精神上有着更深层次的东方文化精神上的深层表述，不仅只是在视觉上满足一下审美需求，更重要的是在艺术精神上让我们脑洞大开，进人高维空间。走进光年探寻人与自然，天人合一，人与宇宙，追问人类我们自己从哪里来到哪里去的一系列终极追问，《吉祥天下》、《吉祥如意》、《国泰民安》等等，我想这就是一禅先生的艺术作品真正意义上的文化精神体现，否则艺术作品是苍白无力的。

李刚（一禅）作品／太阳神（太阳系列）

材质／布上丙烯

尺寸／1.50X1.50



Mr. Yichan has long been concerned about the significance of human survival and life, that is, our own "humans". He uses the purest art and writing as the language of painting, using different and traditional painting forms to integrate the three-dimensional space of text and sculpture into an energy field. The visual presentation effect of artistic works is completely different, and after collision and fusion, the artistic works release new energy of artistic works, Let the observer naturally open up their mind, find their true selves, open up dimensions, and convey and inspire the significance of human survival at a spiritual level through artistic works. In a sense, works of art provide us with a new form of painting and a multi-dimensional and profound inspiration for energy. In the work, it seems to convey a mysterious sense of religious ceremony and a strong sense of three-dimensional architectural space, as if there is a sense of grandeur, solemnity, and awe in Gaudi Cathedral. At the same time, it also exudes the solemnity and mysterious cosmic sense of the Eastern Buddhist temple architecture. At the same time, it makes you yearn for the spirit of visual art, allowing your soul to feel the vastness of the universe. We humans are so fragile and insignificant. The most important thing for an artist's work is to have ideas, which have a deeper expression of Eastern cultural spirit in the artistic spirit. It not only satisfies aesthetic needs visually, but more importantly, in the artistic spirit, it allows us to broaden our minds and enter the high-dimensional space. Entering the light year to explore the unity between humans and nature, the unity of heaven and humanity, the relationship between humans and the universe, and a series of ultimate questions about where we have come from and where we have gone, such as "Auspicious World", "Auspicious Luck", "National Peace and People's Peace", etc., I think this is the true cultural spirit embodiment of Mr. Yichan's artistic works, otherwise the artistic works would be pale and powerless.

李刚（一禅）作品／正大光明（太阳系列）

材质／布上丙烯

尺寸／1.50X1.50



中国绘画艺术的表现形式及手法并不是单一的绘画形式，无论是具象或者是抽象都是多元化的，中国的抽象艺术在实际意义上不落后与其他国家，比如中国的书法艺术，中国的水墨，它们都有着非常有价值的美学理论体系来实证。中国石窟壁画艺术，中国剪纸，皮影，中国年画等等，从这些中国传统艺术文脉中不难看出一禅先生的绘画艺术是在传统文化基因和脉象的基础上所呈现出来了一种文化现象，在一禅先生这些独具艺术风格的绘画作品中，充分证实了一禅先生对中国当代艺术，中国传统文化的深度思考。也就是他所说的“一个艺术家如何做好当下，如何把中国抽象艺术作品，也就是具有中国元素，中国精神，中国基因，中国文脉的艺术作品推向世界”。我想他努力了，为中华民族文化自信，文化复兴，并且一直在创新探索。

李刚（一禅）作品／日出东方（太阳系列）

材质／布上丙烯

尺寸／1.50X1.50



The form of expression and technique of Chinese painting art is not a single form of painting. Both concrete and abstract are diversified. China's abstract art does not lag behind other countries in practical sense, such as Chinese calligraphy art and Chinese ink painting. They all have a very valuable aesthetic theoretical system to demonstrate. Chinese grotto mural art, Chinese Paper Cuttings, shadow puppets, Chinese New Year pictures, etc. It is not difficult to see from these traditional Chinese art context that Mr. Yichan's painting art is a cultural phenomenon based on the traditional cultural genes and pulse. Mr. Yichan's paintings with unique artistic style fully confirm Mr. Yichan's deep thinking on Chinese contemporary art and traditional Chinese culture. That is what he said, "How can an artist do a good job in the present, and how can he promote Chinese abstract art works, that is, works of art with Chinese elements, Chinese spirit, Chinese genes, and Chinese context to the world". I think he has worked hard, confident in Chinese culture, revived culture, and has been innovating and exploring.

李刚（一禅）作品／文字·中华門

材质／布上丙烯铜

尺寸／2.40X1.96



从解读中国的文字，让我们走进中国文化，让我们知道中华民族文化的博大精深，我想是非常有意义的事情。因为文字是中华民族文化之根。体现我们老祖先们的伟大智慧。中国文字的创造对世界人类发展起到非常重要的作用，现在也只有中国文字一直在应用，也就是文化根脉没有断裂，一脉相承，为东方文化智慧的创新传承，做出自己的贡献，是使命，是担当。一禅先生少年好学，青年时期三次进入中央美术学院学习深造，一生游览儒释道文史哲之精典等，游走与东西方艺术美学之中，于仁义良知之教，方知华夏智慧，一脉千古，朴实无华而又微妙深远。生吾炎黄，育我华夏，待之有为，必报中华之精神。

李刚（一禅）作品／华龙1号

材质／布上丙烯

尺寸／1.56X1.96

From interpreting Chinese characters, it is very meaningful for us to enter Chinese culture and let us know the breadth and depth of Chinese national culture. Because writing is the root of Chinese culture. Reflect the great wisdom of our ancestors. The creation of Chinese characters has played a very important role in the development of human beings around the world. Currently, only Chinese characters have been applied, which means that the cultural roots have not been broken and continue in one continuous line. Making contributions to the innovation and inheritance of Eastern cultural wisdom is a mission and a responsibility. Mr. Yichan was eager to learn in his youth. During his youth, he entered the Central Academy of Fine Arts three times to further his studies. Throughout his life, he toured the classics of Confucianism, Buddhism, Taoism, literature, history, and philosophy, and wandered between Eastern and Western art aesthetics. Through the teachings of benevolence, righteousness, and conscience, he learned about the wisdom of the Chinese nation, which is timeless, simple, yet subtle and profound. Give birth to me the scorching yellow, nurture me the Chinese nation, and strive for success. We must repay the spirit of the Chinese nation.

李刚（一禅）作品／文字1号中国人

材质／布上丙烯

尺寸／1.26X1.96



最后还是引用北宋、著名诗人／王安石先生的《元日》作为《祈福／吉祥字符 时尚文化精神诉求》这篇文章核心之意为结束。

元日

爆竹声中一岁除，春风送暖入屠苏。

千门万户曈曈日，总把新桃换旧符。

注：《元⽇》是北宋时期政治家、文学家、思想家、改革家王安⽯创作的⼀⾸七⾔绝句。这⾸诗描写新年元⽇热闹、欢乐和万象更新的动⼈景象，抒发了作者⾰新政治的思想感情，充满欢快及积极向上的奋发精神

李刚（一禅）作品／境随心转

材质／布上丙烯

尺寸／1.56X1.96



Finally, the core idea of the article "Praying for Blessings/Auspicious Characters Fashion Culture and Spiritual Demands" is to end by quoting Mr. Wang Anshi, a famous poet from the Northern Song Dynasty.

first day of first lunar month

Amidst the sound of firecrackers, the year ends, and the spring breeze brings warmth to the slaughter of Su.

Thousands of households shine brightly, always exchanging new peaches for old talismans.

Note: "Yuan Yuan" is a seven sentence quatrain created by Wang Anyi, a politician, writer, thinker, and reformer during the Northern Song Dynasty. This poem depicts the lively, joyful, and dynamic scene of the New Year, expressing the author's thoughts and emotions towards the new politics, full of joy and positive spirit.

李刚（一禅）作品／格物致知

材质／布上丙烯

尺寸／1.56X1.96



众云：“圣人则为天地立心，为生民立命，为往圣继绝学，为万世开太平，为社会为国家立志”。汉字的形像呈现着宇宙乾坤的万象纷呈、蕴含着造化的神秀灵气，其内涵体现出追求“形而上”的道之精神，人类生命的意义，透露出深深的人文情怀，从人类学，人文精神上追问，也许吉祥字符的祈福文化就是我们人类生存在这个地球的终极意义，我们每个人都有权力在这个人类地球家园致敬自己心灵的吉祥字符的那个伊甸园！

李刚（一禅）作品／和

材质／布上丙烯

尺寸／1.60x1.70



As the saying goes, "Saints establish their hearts for heaven and earth, establish their destiny for the people, inherit their unique learning from the saints, open peace for all generations, and aspire to society and the country. The image of Chinese characters presents the myriad phenomena of the universe, containing the divine and spiritual energy of creation. Its connotation reflects the pursuit of the "metaphysical" spirit of the Tao, the meaning of human life, and reveals deep humanistic feelings. From the perspective of anthropology and humanistic spirit, perhaps the blessing culture of auspicious characters is the ultimate meaning of our human survival on this earth, Every one of us has the right to pay tribute to the auspicious character of our own soul in this human earth home, the Garden of Eden!

李刚（一禅）作品／海市蜃楼

材质／布上丙烯

尺寸／1.20X1.70





李刚（一禅）作品／山河

材质／布上丙烯

尺寸／1.20X1.70



RE睿·国际创忆馆／北京中轴线展



RE睿·国际创忆馆／北京中轴线展



李刚（一禅）

1959年／出生新疆／祖籍江苏省 徐州市

1985年／在中央美术学院油画系学习。

1993年／在中央美术学院雕塑系助教硕士研修班学习。

1994年／在中央美术学院《城市雕塑高级研修班》学习（由俄罗斯专家谢阿，库巴索夫教授主要授课）。

中国雕塑学会理事。

中国工艺美术学会雕塑专业委员会委员。

北京公共环境艺术与城市雕塑专业委员会委员。

中国当代雕塑研究院副院长。

中匈美术家协会副主席。

北京市通州区慈善协会会员。

中国观网首席雕塑家。

——————🌍🌍🌍🌍🌍🌍——————



吉祥字符／一禅画符（视频）



吉祥字符／一禅画符（视频）



吉祥字符／一禅画符（视频）



癸卯年

2023年6月1日

北 京

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