【书山有路 学海无涯 日积月累 必成大器……】

流金湖(刘军虎) 昵称:波光……一湾

</strong><strong><strong>查看更多隶书教程</strong></strong></strong><strong data-brushtype="text">1、出锋撇</strong><br></br>书写至尾部,笔毫向右上圆转回锋,至适当处向上或右上方出锋。<p mpa-paragraph-type="image"> <strong data-brushtype="text">2、带勾撇</strong>行笔接近尾部不要提笔,仍向上和右上圆转运笔,然后边行边提出锋,弯勾<strong>需自然活泼</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">3、带折撇</strong>该笔画在起笔、转锋向右或向下运行后即以圆转或折转向左下方运笔,转角处<strong>切记粗重</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">4、带横撇</strong>逆锋圆转起笔向右运行,至适当处即转锋(<strong>或圆转、或折转</strong>)向左下方行笔,转角要灵活自然。<p mpa-paragraph-type="image"> <strong data-brushtype="text">5、直捺</strong>此捺较挺直,运笔时应<strong>畅快直率</strong>向右下行,边行边按,中部切记弯曲。<p mpa-paragraph-type="image"> <strong data-brushtype="text">6、平捺</strong>起笔后向右下边行边按,同时<strong>根据结体的需要</strong>,有一定的弯曲状,做到生动活泼。<p mpa-paragraph-type="image"> <strong data-brushtype="text">7、斜捺</strong>运笔的斜侧和弯曲的程度在直捺和平捺之间,忌生硬和过于弯曲。<p mpa-paragraph-type="image"> <strong data-brushtype="text">8、短捺</strong>起笔后向右或向下边行边按,中部宜竖直,整个笔画<strong>应短粗壮实</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">9、小捺</strong>出于字的结构等因素,有时的捺画应写得细小点,以此来衬托其他笔画。<p mpa-paragraph-type="image"> <strong data-brushtype="text">10、戈捺</strong><strong>此笔画为整个字的主笔,书写时粗重点也无妨。</strong>起笔转锋后即向右下边行边按,中部要挺拔有力,尾部宜雄强自然。<p mpa-paragraph-type="image"> <strong data-brushtype="text">11、走之捺</strong>该笔画的起笔往往与前一笔或前几笔相联系,在书写时要在<strong>注意</strong>上下左右大小粗细关系。<p mpa-paragraph-type="image"> <strong data-brushtype="text">12、心底捺</strong>在书写该笔画时要根据整个字中其他部分的大小多少来决定该笔画的斜直、大小、粗细,使之<strong>整体协调和谐</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">13、竖勾</strong>藏锋起笔后转笔向下,宜挺直,直转弯处要圆转,然后向左运笔,边行边提出锋。<p mpa-paragraph-type="image"> <strong data-brushtype="text">14、斜勾</strong>此笔画在(<strong>向右下或左下</strong>)运行时,要视整个字的结体来决定其斜度,<strong>保持重心平衡</strong>,勾不宜粗大。<p mpa-paragraph-type="image"> <strong data-brushtype="text">15、右折勾</strong>藏锋或露锋起笔后向下行笔,至适当处转折调整笔锋向右运行,<strong>要求活泼渐粗</strong>,尾部微上翘。<p mpa-paragraph-type="image"> <strong data-brushtype="text">16、短勾</strong>该笔画在行至转弯处,要求圆转,其勾不宜粗大,微向上勾。<p mpa-paragraph-type="image"> <strong data-brushtype="text">17、长勾</strong>该勾略呈半圆状,斜势,转角处忌方折,向左勾出应舒展有力,收笔或出锋或回锋。<p mpa-paragraph-type="image"> <strong data-brushtype="text">18、粗勾</strong>运笔向左或<strong></strong>向右至转折处,应边行边重按,略粗壮有力度,做到<strong>雄强稳实</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">19、平勾</strong>转折向右行笔过程中,为使整个字显得劲朴,宜写得平直点,尾部略微上翘。<p mpa-paragraph-type="image"> <strong data-brushtype="text">20、弯勾</strong>向左转笔要求圆转,接近尾部逐渐向上运行,呈圆弯钩形状。<p mpa-paragraph-type="image"> <strong data-brushtype="text">21、回锋钩</strong>运笔至尾部,将笔毫向上或向下圆转回锋,做到<strong>稳实有力度</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">22、出锋钩</strong>向右或左运笔接近尾部,要求边行边提笔,由粗渐细,稍快出锋,<strong>切记浮滑</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">23、横折钩</strong>该笔画实为折与钩的组合,在书写时二者有机的结合在一笔,做到<strong>连贯自然</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">24、右向钩</strong>中锋向下行笔,至适当处转折调整笔锋向右上方运行,至收笔处或出锋或稍挺收起。<h3> <strong data-brushtype="text">25、长平波</strong>逆锋向左下方顿挫,势饱劲足,形成蚕头,中部微细,至尾部稍停顿后向右偏上逐渐顺势提锋,<strong>形成一波三折之势</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">26、方头波</strong>落笔取逆势,然后向下切入成方笔,似刀切状,转笔向右运行,中部跟尾部的运笔和长波相似。<p mpa-paragraph-type="image"> <strong data-brushtype="text">27、翘尾波</strong>行笔接近尾部,稍重按后向右上方逐渐提出笔锋,尾部上翘。<p mpa-paragraph-type="image"> <strong data-brushtype="text">28、小尾波</strong>此笔画在运行时,宜瘦劲些,至尾部处微按(有的甚至不按)后,即向右出锋,雁尾不太明显。<p mpa-paragraph-type="image"> <strong data-brushtype="text">29、底尾波</strong>行笔接近尾部,向右下边行边按,然后向右出锋,整个笔画略成弧形。<p mpa-paragraph-type="image"> <strong data-brushtype="text">30、大尾波</strong>该笔画在书写时宜稍重顿按,使其下部粗大有力,上沿线较平。<p mpa-paragraph-type="image"> <strong data-brushtype="text">31、竖折波</strong>此笔画是竖画和波画的组合,在书写时要<strong>注意衔接自然</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">32、藏锋波</strong>书写该笔画的尾部时,稍重按后向右提笔运行些许即将笔锋回转裹藏收势。<p mpa-paragraph-type="image"> <strong data-brushtype="text">33、方折</strong>该笔画为横画和竖画的组合,转折处稍提起,调整笔锋后于远处入纸向下徐行。<p mpa-paragraph-type="image"> <strong data-brushtype="text">34、上角折</strong>此种类型的折法,在书写时笔锋至转弯处微提,向右上方换向转笔向左下运行。<p mpa-paragraph-type="image"> <strong data-brushtype="text">35、右角折</strong>将笔行至转角处,即向左下方换锋运笔,右角明显外凸。<p mpa-paragraph-type="image"> <strong data-brushtype="text">36、圆折</strong>转折时笔锋稍转,宜圆润灵活,<strong>切记顿挫粗重运行</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">37、竖折</strong>行笔至转折处,将笔锋调整后向右运行,竖与横及转角要<strong>链接自然,和谐统一</strong>。<p mpa-paragraph-type="image"> <strong data-brushtype="text">38、下斜折</strong>书写至转角处,即转笔向左下斜势徐行,使折角以下的竖画向内收。<p mpa-paragraph-type="image"> <strong data-brushtype="text">39、上斜折</strong>逆入向左下运笔,至适当处即转锋向右,使折角以上的笔画成斜势,转折处宜大些。<p mpa-paragraph-type="image"> <strong data-brushtype="text">40、绞丝折</strong>由于该笔画的折角多,在书写时要<strong>注意它们之间的参差错落</strong>,力求生动多变,形容各异。<p mpa-paragraph-type="image"> <h3>作品来源于网络,版权归原作者所有,禁止商用,侵权必删!</h3></br><h3><strong><strong>喜欢本篇记得</strong></strong><strong>分享</strong><strong><strong>和在下方点个<strong><strong><strong><strong><strong><strong><strong><strong> </strong></strong></strong></strong></strong></strong></strong></strong></strong></strong><strong>在看</strong></h3></br> <a href="https://mp.weixin.qq.com/s/giJ2jj_9rnDjtIAC8HzDqQ" >查看原文</a> 原文转载自微信公众号,著作权归作者所有

笔画

尾部

运笔

行笔

书写

笔锋

出锋

起笔

运行

圆转