1。The Mausoleum of the Yellow Emperor (simplified Chinese: 黄帝陵;
The Mausoleum of the Yellow Emperor (simplified Chinese: 黄帝陵; traditional Chinese: 黃帝陵; pinyin: Huángdì Líng) is the burial site of the legendary Yellow Emperor (Huangdi) of China. It is located in Huangling County, Yan'an City, Shaanxi Province, China. According to legend, the Yellow Emperor attained immortality and rose to Heaven, leaving behind only his clothing and cap to be entombed. The mausoleum is located on Qiao Mountain, north of Yan'an proper. In 1961, the Chinese State Council proclaimed it as the first National State-Protected Great Cultural Site, with the identifier "Ancient Tomb #1" and the moniker "The First Tomb Under Heaven". The mausoleum was anciently called "Qiao Tomb", and was an important location where generations of emperors and famous people made offerings to the Yellow Emperor. According to historical records, the earliest offerings to the Yellow Emperor at the mausoleum's location began in 442 BC. From the establishment of a shrine proper in the year 770 during the Tang dynasty, it was the scene of regular national offerings and sacrifices. The site has been rebuilt and restored several times, most recently beginning in 1993. The Yellow Emperor Mausoleum Foundation was established to raise money for the reconstruction process, which was divided into two phases. The first phase was completed in August 2001, and in 2004 yearly national offerings to the Yellow Emperor at the mausoleum resumed. Contents [hide] 1 Scenic area 1.1 Tomb area 1.2 Temple of the Mysterious Origin 2 Past offerings and restorations 3 See also 4 References 5 External links Scenic area The Yellow Emperor Mausoleum Scenic Area covers an area of approximately 333 hectares and is classified as a highest level scenic area by the China National Tourism Administration. It contains over 60,000 mature cypress trees, of which 30,000 are over one thousand years old, making the area one of the best old cypress forests in China. The scenic area is divided into two parts: the Huangdi tomb area and the Xuanyuan Temple area. Tomb area "Immortal Han Wu Altar" (漢武仙台). On the right side of the stone path leading to the Tomb Area lies a stone entitled the "Horse-Dismounting Stone". Upon the stone is written in Chinese calligraphy the words "Wen and Wu and their officials arrived at this point and dismounted their horses", a reference to Kings Wen and Wu of the Zhou dynasty. Nearer to the Tomb lies the "Immortal Han Wu Altar". According to tradition, as Emperor Wu of the Han dynasty was returning from a northern campaign against the Xiongnu, he stopped at the mausoleum and made offerings. The current mausoleum is 3.6 meters tall, 48 meters in circumference, and is surrounded by a brick wall. On the south side stands a Ming dynasty stone stele that reads "Qiao Mountain Dragon Rider" (橋山龍馭), a reference to the story of the Yellow Emperor and his family riding into the west on a golden dragon. The eastern side's stele hallway preserves 57 Imperial stele commissioned by various emperors. On the western side stand returned commemoration stele from Hong Kong and Macao. In the main hall, called the "Great Hall of Man and Civilizations's First Ancestor" (人文初祖大殿), stands a relief sculpture of the Yellow Emperor, as well as a niche shrine decorated with the four great spirit animals of Chinese astrology: the Azure Dragon, the White Tiger, the Vermilion Bird, and the Black Tortoise. In the memorial pavilion are arranged several dedicatory inions from modern Chinese leaders Sun Yat-sen, Chiang Kai-shek, Mao Zedong, and Deng Xiaoping. In front of the tomb is a pavilion for offerings, in the middle of which stands a stone stele with the three characters "Yellow Emperor Mausoleum". The stele was erected by Chiang Kai-shek during the Second Sino-Japanese War but was chiseled blank in 1956 before being restored in 1963 by Guo Moruo. Temple of the Mysterious Origin The Temple of the Mysterious Origin. The Temple of the Mysterious Origin (轩辕庙 Xuānyuánmiào), which central building is the Hall of the Mysterious Origin (轩辕殿 Xuānyuándiàn) is a temple dedicated to the religion of Huangdi in Huangling and the largest of such temples in China (there are other smaller Xuanyuanmiao throughout the country). Construction of the temple started during the post-1993 restoration works of Huangling. The shrine is approximately 8000 square meters in size and is made entirely of granite. Yearly sacrifices are held at the temple. Past offerings and restorations The emperors of Chinese dynasties venerated the Yellow Emperor's mausoleum, and most would dispatch a closely trusted high-ranked official, bearing an imperial monument written by the emperor himself, to conduct the ceremonies. 220 BC: Tradition states that Qin Shi Huang, after subduing the other Chinese states and proclaiming himself emperor, personally carried offerings and his sword to the Yellow Emperor's temple to seclude himself and offer prayers.
110 BC: In the tenth lunar month, Emperor Wu of the Han dynasty led 180,000 troops to make offerings at the Yellow Emperor's tomb and set up the "Immortal's Altar" mentioned above. During the Tang dynasty, the traditional sacrifices to the Yellow Emperor were officially adopted by the state. 1040 to 1043: during the reign of Emperor Renzong in the Song dynasty, the minister Fan Zhongyan made ceremonial sacrifice there three times. 1061: Emperor Renzong of the Song dynasty decreed the mass planting of cypress trees at the complex. 1325: During the Yuan dynasty, the Mongol emperor Yesün Temür issued a decree protecting the tomb site. 1371: The Hongwu Emperor of the Ming dynasty sent imperial historian Guan Gougan to officiate an offering. 1651: The Shunzhi Emperor of the Qing dynasty had numerous veneration ceremonies for the Yellow Emperor conducted. 1911: Following the Xinhai Revolution, the Nationalist government of the Republic of China continued the tradition of making offerings at the Yellow Emperor's mausoleum. Sun Yat-sen and Chiang Kai-shek sent officials to perform the ceremonies on several occasions. 1939: During the Qingming Festival, Mao Zedong dispatched Lin Boqu to conduct the sacrifices and offerings. 2006: The ceremonial offerings to the Yellow Emperor were entered into the National Immaterial Cultural Relic List.
2。 Hanfu Hanfu" is a non-academic, non-official noun to define the historical dress of the Han Chinese people. Throughout China's long history, the clothing of the Han people has undergone many changes. The costumes of each dynasty is different, reflecting the varying interests of each period. However, its close relation to the traditional ritual teaching, and its main characteristics that are related to the fundamental moral and ethical values are nevertheless preserved: the left collar covering the right represents the perfection of human culture on human nature and the overcoming of the wild bodily force by spiritual power that is carried in ethical ritual teaching; the expansive cutting and board sleeve represents a moral, concordant relation between nature and human creative power; the using of the girdle to fasten the garment over the body represents the active restriction of Han's traditional culture over human's desire that would incur amoral deed, were not restricted. It was not until the Qing Dynasty that the Hanfu became forcibly replaced by the costume of Manchu. Though many believe the Qipao or Cheongsam is China's national costume, this is relatively inaccurate as, considering China's thousands of years of history, the qipao is fairly modern.  During the Qing dynasty, Manchu clothing was only required for Eight Banners members and Han men serving as government officials. Ordinary Han civilians were allowed to wear Han clothing but most Han civilian men voluntarily adopted Manchu clothing like Changshan on their own free will. Throughout the Qing dynasty Han women continued to wear Han clothing and did not wear Manchu women's clothing. Criticism Many Hanfu advocates argue that making Hanfu a national dress could unite the country, creating a cultural symbol for the country and creating a tradition for future generations. However, critics of the movement fear that the revival leans too far in the direction of a narrow nationalism, ed on looks rather than content. They fear that a blanket dismissal of non-Hanfu dress could lead a step further, towards a rejection of the West that goes beyond clothing matters. While many Hanfu enthusiasts advocate Hanfu as a national dress, critics see this as an internal problem, as Hanfu is the traditional dress of the Han people. Hanfu as a national dress would fail to represent the other 55 ethnicities of China.