Zifen Qian Painting《DigitalYears》

<p class="ql-block">Quotation of an article by Jinwan&nbsp;</p><p class="ql-block">Art Institute - “Zifen Qian’s New&nbsp;</p><p class="ql-block">Painting&nbsp;Digital Years”:</p><p class="ql-block"><br></p><p class="ql-block">“Zifen Qian’s new oil painting</p><p class="ql-block">Digital Years 58”x 72” has pushed&nbsp;</p><p class="ql-block">its new conceptual romanticism&nbsp;</p><p class="ql-block">to a&nbsp;more perfect height. The&nbsp;</p><p class="ql-block">painting&nbsp;reveals the most sensitive&nbsp;</p><p class="ql-block">new&nbsp;concept of this era: past and&nbsp;</p><p class="ql-block">ongoing human development&nbsp;</p><p class="ql-block">phenomena have been irreversibly&nbsp;</p><p class="ql-block">digitized. Human beings are building&nbsp;new human beings with their&nbsp;</p><p class="ql-block">superior wisdom and creativity. An&nbsp;</p><p class="ql-block">artificial intelligence based on their&nbsp;</p><p class="ql-block">own image and way of thinking is&nbsp;</p><p class="ql-block">rapidly coming to our real society.&nbsp;</p><p class="ql-block">The fortune or misfortune of such&nbsp;</p><p class="ql-block">development can only be answered&nbsp;</p><p class="ql-block">in the years to come. Zifen Qian&nbsp;</p><p class="ql-block">applied his superb skills and&nbsp;</p><p class="ql-block">techniques to this work that&nbsp;</p><p class="ql-block">combines abstract expressionism&nbsp;</p><p class="ql-block">and classical realism, as well as the&nbsp;</p><p class="ql-block">infiltration of the number images,&nbsp;</p><p class="ql-block">just rightly express the&nbsp;</p><p class="ql-block">characteristics of the new&nbsp;</p><p class="ql-block">conceptual romantic school. Such&nbsp;</p><p class="ql-block">features are&nbsp;not foreseen by&nbsp;</p><p class="ql-block">European&nbsp;classics&nbsp;and romantic&nbsp;</p><p class="ql-block">masters, and&nbsp;are not&nbsp;foreseen by&nbsp;</p><p class="ql-block">German&nbsp;expressionism&nbsp;and&nbsp;</p><p class="ql-block">American&nbsp;abstraction masters.&nbsp;</p><p class="ql-block">Whether it is&nbsp;Margaret's surrealism&nbsp;</p><p class="ql-block">or Picasso's&nbsp;cubism or other forms&nbsp;</p><p class="ql-block">of modern&nbsp;and contemporary style,&nbsp;</p><p class="ql-block">it&nbsp;is first&nbsp;and foremost a unique&nbsp;</p><p class="ql-block">charm of&nbsp;formality. Zifen Qian’s&nbsp;</p><p class="ql-block">new&nbsp;conceptual romanticism style&nbsp;</p><p class="ql-block">also has such a unique charm!&nbsp;</p><p class="ql-block">Digital Years is an important&nbsp;</p><p class="ql-block">representative work of Qian Zifen's&nbsp;</p><p class="ql-block">style towards the peak period. We&nbsp;</p><p class="ql-block">believe that art history will record&nbsp;</p><p class="ql-block">this important work representing&nbsp;</p><p class="ql-block">the&nbsp;new conceptual romanticism.”</p><p class="ql-block"><br></p> <h3>《Digital Years》58”x 72” 2018</h3> <h3>《Digital Years》detail section 1</h3> <h3>《Digital Years》detail section 2</h3> <h3>《Digital Years》detail section 3</h3> <h3>《Digitail Years》detail section 4</h3> <h3>《Digital Years》detail aection 5</h3> <h3>《Digital Years》detail section 6</h3> <h3>《Digital Years》detail sectin 7</h3> <h3>《Digital Years》detail section 8</h3> <p class="ql-block">As a New Conceptual Romanticism&nbsp;</p><p class="ql-block">establisher Zifen Qian combines&nbsp;</p><p class="ql-block">modern spirituality with traditional</p><p class="ql-block">romanticism to merge western and&nbsp;</p><p class="ql-block">Chinese culture in his painting. His&nbsp;</p><p class="ql-block">professional life as a professor&nbsp;</p><p class="ql-block">with&nbsp;highest&nbsp;art degree has shown&nbsp;</p><p class="ql-block">the&nbsp;convergence of multiple&nbsp;</p><p class="ql-block">approaches with historical masters' influences in&nbsp;conjunction to his&nbsp;</p><p class="ql-block">independent vision of the modern&nbsp;</p><p class="ql-block">world. He had numerous solo and&nbsp;</p><p class="ql-block">group exhibitions in New York,&nbsp;</p><p class="ql-block">Chicago, Seattle, Portland, Paris,</p><p class="ql-block">London, Shanghai, Beijing and&nbsp;</p><p class="ql-block">other&nbsp;cities. Hundreds of his&nbsp;</p><p class="ql-block">paintings have been published in&nbsp;</p><p class="ql-block">US with over&nbsp;hundred million&nbsp;</p><p class="ql-block">copies&nbsp;distributed&nbsp;around the&nbsp;</p><p class="ql-block">world in the&nbsp;past two&nbsp;decades.</p><p class="ql-block">Governments,&nbsp;museums,&nbsp;</p><p class="ql-block">universities, corporations&nbsp;and&nbsp;</p><p class="ql-block">private collectors have acquired&nbsp;</p><p class="ql-block">his paintings. His profile has been&nbsp;</p><p class="ql-block">listed in Who’s&nbsp;Who in America&nbsp;</p><p class="ql-block">and&nbsp;Who’s Who in&nbsp;the World for&nbsp;</p><p class="ql-block">12&nbsp;times.</p>